Whit MacLaughlin is going off the deep end with this one. Are you willing to jump in with him? New Paradise Laboratories’ handsomely crafted, meticulously acted, and totally weird production, is not easily accessible. Nothing much can be taken literally here, and the production doesn’t reward searching for specific meanings as it creates its own tilted world with its own skewed logic.
View More THE ADULTS (New Paradise Laboratories): Fringe Review 20.2
Rhrough minimal, absurd dialogue and highly stylized, disjointed movement, the ensemble-devised work evokes the boredom and bad behavior of a privileged vacationing family of film artists and their guests.
View More THE ADULTS (New Paradise Laboratories): Fringe Review 20
SoLow is about play.
There are some plays in it.
There are some . . . things . . . in it which are not plays.
But, SoLow is about reducing the boring stuff—the stages and lobbies and tickets and grants and endless marketing strategies—which stands between the artist and the audience, so that everyone can play.
To give you a clearer picture of what’s being played around with, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
View More SOLOW FLASH INTERVIEWS 2014, EPISODE SEVEN: KEVIN MEEHAN, AMELIA CHARTER & ELIZABETH WHITNEY
Call it Don Juan or Don Giovanni, the Don Juan story, handed down through time, is pre-loaded with a mix of serious and comic elements and a supernatural dimension. DON JUAN COMES HOME FROM IRAQ, from theater luminaries Paula Vogel (playwright) and Banka Zizka (director), has the gravitas down and doesn’t lose sight of humor, but extra pieces lodge within this puzzle’s slippery treatment of time and reality.
View More DON JUAN COMES HOME FROM IRAQ (Wilma): A Disparate Jigsaw
Drury’s funny, traumatic, inventive and timely play will stab at you, personally, at least once. She asks whether it is important that a story be told, or if it is more important that it be told in a certain way. She uses the events in Namibia to illustrate the cracks in our own culture, the divides caused by racial issues even among a group of people who would probably all vote for the same candidate..
View More WE ARE PROUD TO PRESENT (InterAct): Are You Black Enough?
In 1900 the city of Chicago reversed the flow of the Chicago River so that it discharged into the Mississippi River instead of Lake Michigan.…
View More Azuka Charms with FAILURE: A LOVE STORY
Cutting close to the bone, Lesley Headland’s ASSISTANCE is a protest, as provocative as Sophie Treadwell’s Machinal (1928), exposing the Darwinian-exploitative nature of the 2013…
View More ASSISTANCE (Wilma): 60-second review
You may ask, “Do we need yet another production of Romeo and Juliet?” The answer is yes we do. This is the Lantern. Next question? The…
View More Romeo and Juliet (Lantern Theater Company): Do we need another R&J?
PTERODACTYLS takes place in a sterile Main Line living room (set design Cory Palmer), a fitting setting for a work reminiscent of Victorian drawing room…
View More It’s The End of the World As We Knew It: New City’s PTERODACTYLS at the Adrienne