Listening party on October 27th and available for streaming on Lightning Rod Special’s website starting October 28th
View More Lightning Rod Special presents SUPERHOST, a Halloween audio thriller
Tag: Justin Jain
Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)
Matt Pfeiffer talks love of Shakespeare and SHAKESPEARE IN LOVE
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DANCE NATION (Wilma): What it means to be ferociously pubescent
The constant menace of teenage ambition hums under the entire production.
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THERE (Wilma): 2019 Fringe review
THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.
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THERE (Wilma): 2019 Fringe review
Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral
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PASSAGE (Wilma): Love and death in Country X
The way to get an audience to ask itself profound questions about a work is not by asking the audience profound questions about the work.
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BLOOD WEDDING (Wilma): Movement in the veins
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
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THESE TERRIBLE THINGS (Berserker Residents): 2017 Fringe review
The Berserker Residents may parody the conventions of theater, but they clearly believe in its power
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WHITE (Theatre Horizon): Representation matters
Playwright James Ijames offers a searing examination of the commodification of black experience.
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How should Philadelphia Theatre Company rebrand itself?
Cameron Kelsall has some ideas for the new executive director.
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YOU FOR ME FOR YOU (Interact): Sisters in different worlds
This thoughtful production changes how we see the world and ourselves
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IT’S SO LEARNING (Berserker Residents): Will this be on the test?
The Berserker Residents take us back to school
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IT’S SO LEARNING is Even Berserker!
Republished by kind permission from FringeArts. Bradley Wrenn, co-founder of The Berserker Residents, talks about how the company is revamping their 2015 Fringe hit It’s So Learning…
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INFORMED CONSENT (Lantern): A strange kind of ethics
The play has a compelling point to make about the diversity of truth and mutual respect, but in the end, it’s difficult to take the argument seriously.
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THIS IS THE WEEK THAT IS: THE ELECTION SPECIAL (1812 Productions): Yuugely funny
Ho boy, it’s been quite the election cycle. Thankfully, Philadelphia has 1812 Productions to ease the pain with its annual satirical show.
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AN OCTOROON (Wilma): A melodrama, a social commentary, an experience
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
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What Can The Wilma Do With $10 Million?
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.
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THIS IS THE WEEK THAT IS (1812): The tenth anniversary of an annual favorite
This year’s installment of the annual politically-incorrect political comedy skewers the presidential candidates and brings some welcome laughs to a troubled week
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ANTIGONE (Wilma): Spectacular, but a spectacular failure
The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.
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IT’S SO LEARNING (Berserker Residents): 2015 Fringe Review 51
Go back to school with The Berserker Residents in this highly interactive ensemble-devised piece, in which you are the student and your teachers are berserk!
View More IT’S SO LEARNING (Berserker Residents): 2015 Fringe Review 51