It’s haunting how relevant—and funny—this somewhat dated piece remains
View More DAY OF ABSENCE (Flying Quilt/Iron Age): 2018 Fringe reviewTag: John Doyle
Touring Marx in Soho in Britain and the US: Interview with Bob Weick, Celebrating Marx’s 200th Birthday, Part 2
Part 2 of Henrik Eger’s interview with Bob Weick.
View More Touring Marx in Soho in Britain and the US: Interview with Bob Weick, Celebrating Marx’s 200th Birthday, Part 2Fringe in Sketch: MARX IN SOHO (Iron Age)
MARX IN SOLO by Howard Zinn is directed by John Doyle for Iron Age Theatre.
View More Fringe in Sketch: MARX IN SOHO (Iron Age)A RUNAWAY, A SOLDIER AND A SNOWBALL FIGHT (Iron Age Theatre): 2016 Fringe review 71
This fabulous Fringe piece plunges the audience into the dramatic action of the American Revolution.
View More A RUNAWAY, A SOLDIER AND A SNOWBALL FIGHT (Iron Age Theatre): 2016 Fringe review 71Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival
Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.
View More Deb Miller’s Top Picks for the 2016 Philadelphia Fringe FestivalA GREAT WAR (Iron Age): 2015 Fringe review 40
This tense, evocative play explores the eternal verities of war, sacrifice, and deceit.
View More A GREAT WAR (Iron Age): 2015 Fringe review 40Fishtown Fringe Preview #3: A GREAT WAR (Iron Age Theatre)
The latest in a series of previews of shows in the Fishtown Fringe segment of the 2015 Philadelphia Fringe Festival.
View More Fishtown Fringe Preview #3: A GREAT WAR (Iron Age Theatre)VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players): This time we have to succeed
VOICES is not just provocative; it is full of infectious hope that this time, united, we really will succeed.
View More VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players): This time we have to succeed“This production gives me the chills”: Interview with John Doyle, director of VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)
Henrik Eger interviews John Doyle about Howard Zinn, history, and theater.
View More “This production gives me the chills”: Interview with John Doyle, director of VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)The Second Annual One-Minute Play Festival (InterAct): Tipsy on Theater: Wine-tasting 90 plays and a night-out in Philly without a hangover
You step off the tour bus, the smell of exhaust replaced first with fresh air, then with the sugary smell of grapes. You sit around…
View More The Second Annual One-Minute Play Festival (InterAct): Tipsy on Theater: Wine-tasting 90 plays and a night-out in Philly without a hangoverTHE TOUGHEST BOY IN PHILADELPHIA (Iron Age Theatre): Gender confusion
While THE TOUGHEST BOY IN PHILADELPHIA has something important to say, the material is arranged so carelessly that I’ll be damned if I can tell you what it is.
View More THE TOUGHEST BOY IN PHILADELPHIA (Iron Age Theatre): Gender confusionBURIED CHILD (Iron Age): Decay and Dysfunction in America’s Heartland
From the moment you arrive, Iron Age Theatre’s production of Sam Shepard’s BURIED CHILD, directed and designed by John Doyle and Randall Wise, thrusts you into a deeply disturbing world of grime, decay, and depression. Mounds of barren dirt, wood chips, and dried-out stalks surround and invade a tumbledown farmhouse with a rusted old mailbox that hasn’t seen a delivery in years. Inside, a filthy stained sofa with torn-up upholstery and torn-out stuffing is held together by black duct tape, as huge gaps between the rough-hewn wall slats let in the pouring rain and dreary darkness of a relentless storm.
View More BURIED CHILD (Iron Age): Decay and Dysfunction in America’s Heartland