Due to the pandemic, it had been many months since I’d visited the Sedgwick Theater in Germantown. October 1 was opening night for The Chairs…
View More THE CHAIRS (Quintessence): 60-second reviewTag: John Burkland
THE SYNGE TRIPTYCH (Quintessence): Celebrating the common people of Ireland
In repertory with their solid production of PLAYBOY OF THE WESTERN WORLD, the company presents three of Synge’s one-acts as THE SYNGE TRIPTYCH.
View More THE SYNGE TRIPTYCH (Quintessence): Celebrating the common people of IrelandAn Irish Masterpiece Still Shocking: Considering Synge’s PLAYBOY OF THE WESTERN WORLD
An extended consideration of the new Synge production from Mount Airy’s Quintessence Theatre.
View More An Irish Masterpiece Still Shocking: Considering Synge’s PLAYBOY OF THE WESTERN WORLDWhy Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
View More Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOTWAITING FOR GODOT (Quintessence): Really absurd
Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.
View More WAITING FOR GODOT (Quintessence): Really absurdUNCLE VANYA (Quintessence): Tedious boring people
Good productions of Chekhov remind us of how vital his work still can be. Bad productions feed the narrative that his plays are dated, charmless, and inconsequential.
View More UNCLE VANYA (Quintessence): Tedious boring peopleHANSEL AND GRETEL (Quintessence): Cool contemporary spin on Grimm
You don’t have to be ten years old to thoroughly enjoy this production, you just have to retrace the breadcrumbs and remember how to pretend again.
View More HANSEL AND GRETEL (Quintessence): Cool contemporary spin on Grimm