The stillness in the endings for both Bartok’s BLUEBEARD’S CASTLE and John Adam’s DOCTOR ATOMIC at The Kimmel Center this past weekend left me with a clear image for, “all’s fair in love and war.”
View More Opera in Sketch: DOCTOR ATOMIC (Curtis) + BLUEBEARD’S CASTLE (Philadelphia Orchestra)
In this, the second of a two-part interview, we talk to Eisenhower about the history behind 1776: The Musical
View More Working with the First National Congress in 1776: Interview with director-choreographer Jennie Eisenhower, part 2
In this, the first of a two-part interview, we talk to Eisenhower about her background and work on the production.
View More 1776 And All That: Interview with director-choreographer Jennie Eisenhower
1776 will make you laugh, might even make you cry, and will most certainly be more enjoyable than the lectures of your middle school history teachers.
View More 1776: THE MUSICAL (Media): Not your textbook history production
Three progenitors of 20th-century Minimalism—Lucinda Childs, John Adams, and Frank Gehry–teamed up to create a stunning program of dance, sound, and space.
View More AVAILABLE LIGHT (Lucinda Childs Dance Company): 2015 Fringe Review 31