Wife and husband team Jennifer Summerfield and Kyle Cassidy are releasing their quarantine-themed adaptation of A Doll’s House to coincide with the one-year anniversary of Philly’s stay-at-home order,
View More Living in A DOLL’S HOUSE: An Ibsen adaption for these times
Bernard Havard discusses the risks of running a theater as few producers and directors would be willing to
View More Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
Is she playing with dolls or is she controlling her own narrative?
View More A LITERAL DOLL HOUSE (Macho Goat): 2019 Fringe review
Henrik Eger greets international Fringe artists.
View More A Welcome to the International Artists at the 2019 Fringe Festival
Toby Zinman reviews shows from the 2019 Edinburgh Fringe
View More Letter from Edinburgh: A dilettante at large reviews
Naomi Orwin asks: Would a woman have envisioned a different Nora? A different Torvald?
View More A DOLL’S HOUSE, PART 2 (Arden): Imagining another Nora
Lucas Hnath takes up Nora’s story fifteen years after the events of Henrik Ibsen’s classic play.
View More A DOLL’S HOUSE, PART 2 (Arden): After the slam
Chuck Schultz previews Lucas Hnath’s sequel to Ibsen’s classic.
View More A Door Slams, A Door Opens: Previewing A DOLL’S HOUSE PART 2 at the Arden
A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.
View More A DOLL’S HOUSE (Arden): Ibsen for our times
Quintessence Theatre Group of Mount Airy produces contemporary stagings of classic theatrical works.
View More 2018 Theater Preview: Quintessence Theatre Group
At SCRATCH NIGHT, the change from one artist to another is exciting.
View More Fringe in Sketch: SCRATCH NIGHT (FringeArts)
Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.
View More Theater in Sketch: THE ENCHANTED (IRC) and A DOLL’S HOUSE (Swarthmore)
Paul Kuhn is perhaps the finest designer in Philadelphia’s independent theater. He tells Phindie about his prop design for a site-specific production of Ibsen’s HEDDA GABLER.
View More Arming GABLER: Prop designer Paul Kuhn talks about his work on HEDDA GABLER
TV-famous fashion designer Autumn Kietponglert created a gorgeous mourning dress for an upcoming production of HEDDA GABLER.
View More HEDDA Gets Styled to Rock: Interview with designer Autumn Kietponglert
Here’s the latest sampling of Fringe shows, performances, playwrights, and artists from around the world, now grown to 18 countries.
View More The International Philly Fringe: A welcome to 18 countries
Jo Strømgren Kompani boldly promise to deliver the essence of the celebrated play despite making ambitious changes to it.
View More A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.2
This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character.
View More A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.1
Henrik Ibsen’s classic gets a beautiful production at Bristol Riverside Theatre.
View More AN ENEMY OF THE PEOPLE (BRT): Pollution and politics
Ingmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD
View More NORA (DTC): A riveting production of a feminist classic
Romulus Linney’s GINT, now in an engaging staging by EgoPo Productions, does an admirable job of translating this modernist classic for contemporary audiences. Linney reworks the story so it seems to have been lifted straight from the annals of American folklore.
View More GINT (EgoPo): Ibsen as American folklorist