Actor Greg Wood will return to Philly with the national tour of TO KILL A MOCKINGBIRD
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Tag: Greg Wood
Shining Star: Jessica Bedford talks about METEOR SHOWER at the Walnut
Jessica Bedford is shining brightly in Steve Martin’s Meteor Shower.
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METEOR SHOWER (Walnut Street): The sparks don’t fly
Steve Martin was once funny and smart.
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Theater in Sketch: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (Walnut Street)
A review in words and sketch by Chuck Schultz and Yumna Tolaimate
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THE HUMANS (Walnut St): A nauseatingly annoying play, but maybe that’s the point
THE HUMANS is a difficult play to like or to watch
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Many Happy Returns: Trey Lyford wishes you HAPPY BIRTHDAY (1812 Productions)
Three married couples in a romp about infidelity who all have years of stage work and accolades to their names.
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STUPID FUCKING BIRD (Arden): A sidesplitting and insightful reinvention of Chekhov
Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
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JULIUS CAESAR (PA Shakespeare): A staging come to steal away your hearts
One must praise Pennsylvania Shakespeare Festival’s CAESAR and do everything to keep it from being buried until the maximum number of people see Patrick Mulcahy’s intelligent, timely production.
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THE NETHER (InterAct): Lolita in Nether-land
Accompanying sketches by Aaron Krolikowski, thesketchbookreporter.com.
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HARVEY (Walnut): Burns slow, then hops right along
The story is a little dated, but that is part of its charm, like watching a Norman Rockwell painting come to life.
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SHIPWRECKED! (Walnut): A delight of theater
SHIPWRECKED! goes to the heart of storytelling. It doesn’t matter whether a tale is true or false as long as it engages and even thrills.
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HENRY V (PA Shakespeare): The king is but a man
While HENRY V contains two of Shakespeare’s most stirring speeches, smaller, less rhetorical moments are the more engrossing in Matt Pfeiffer’s staging for Pennsylvania Shakespeare Festival
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AND THEN THERE WERE NONE (Walnut): Ten little soldier boys having lots of fun
Agatha Christie has always been a theatrical guilty pleasure, like sitting down with a nice genre book or singing along to top 40
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MICKLE STREET (Walnut): Whitman and Wilde meet and then they talk
Life imitates art far more than art imitates art.
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PRIVATE LIVES (Walnut): Who is being mocked?
PRIVATE LIVES, as written by Coward, is funny because it exposes the savagery that exists beneath the polished façade of the English upper class.
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BACH AT LEIPZIG (People’s Light): 60-second review
People’s Light & Theatre Company pairs Itamar Moses’s uber-witty historical farce BACH AT LEIPZIG with the zaniness of director Pete Pryor in a hilarious, intelligent production.
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