Commonwealth Classic Theatre presents a world-premiere production of Paul Parente’s meaningful tragicomedy on the absurdities and horrors of war, inspired by the events and characters from Homer’s Iliad.
View More RAGE OF ACHILLES (CCTC): The absurdity and tragedy of war
Thomas Heywood’s ridiculous rip-roaring romantic romp across the high seas of the English Renaissance is the latest in the Philadelphia Artists’ Collective’s acclaimed productions of rarely seen classics.
View More THE FAIR MAID OF THE WEST, PART I (PAC): A pirate adventure “worth gold!”
This original take on OTHELLO has more the feel of a farcical comedy than an ironic tragedy
View More OTHELLO (Curio): A different approach to an iconic tragedy
Love, betrayal, vengeance, and death are the themes of Federico García Lorca’s Spanish Symbolist tragedy, BLOOD WEDDING.
View More BLOOD WEDDING (PAC/MPiRP): A symbiotic relationship between the arts and education
Phindie spoke to Damon Bonetti, a founding member of the Philadelphia Artists’ Collective and director of PAC’s latest offering, Frederico Garcia Lorca’s BLOOD WEDDING.
View More PAC’s Damon Bonetti on BLOOD WEDDING: “Peace in a cruel world”
THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word
View More THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY (The Renegade Company): 2014 Fringe Review 35
The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.
View More Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer
In SEX, DRUGS, ROCK & ROLL, Eric Bogasian’s revolving cast of characters—an aging rock star, a homeless bottle man, an 80s yuppie, and a handful of others—have little in common except their masculine hedonism.
View More SEX, DRUGS, ROCK & ROLL (Plays & Players): 60-second review
The summer of 1998, I permanently moved out of my mother’s house. (My mother moved down to Nashville abruptly and without me.) So I traveled…
View More DANCING AT LUGHNASA (Curio): Casting Disaster
Photographer Kyle Cassidy is a Philadelphia treasure. He has been documenting American culture since the 1990s, photographing goths, punks, cutters, politicians, metalheads, dominatrices, scholars, and…
View More Photo Essay: Kyle Cassidy captures DANCING AT LUGHNASA (Curio Theatre)
The world’s most famous love story is given a new twist. The familiar characters are now the teenaged daughters of the feuding Montague and Capulet families, whose tragic romance is used to explore the true universality of Shakespeare’s themes.
View More ROMEO AND JULIET (Curio): A same-sex take on Shakespeare’s classic
Eugene O’Neill’s early maritime heart-wrenchers, Bound East for Cardiff and In the Zone, are brought to life in the Philadelphia Artists’ Collective’s devastatingly effective site-specific…
View More THE SEA PLAYS (Philadelphia Artists’ Collective): 2013 Fringe review 32.2
With a series of celebrated readings and full productions (including 2012 Fringe hit The Creditors) Philadelphia Artists’ Collective has established a reputation as one of…
View More [32.1] THE SEA PLAYS (Philadelphia Artists’ Collective): Fringe review
Once upon a time the Old City Fringe was the Philly Fringe. Old City on the first Friday in September was the place to be,…
View More Fringe Preview 8: Old City Fringe
Pacified by a pre-show serving of *Little Baby’s* ice cream, the Renegade Company’s audience sat in a cozy room with broken victrola records scattered on…
View More Another take on GLASS: SHATTERED (Renegade)
Tennessee Williams’s The Glass Menagerie is described as a “memory play”: its plot an extended flashback, its theatrical pretense laid bare. GLASS: SHATTERED, Michael Durkin’s…
View More GLASS: SHATTERED (Renegade): 60-second review
Peter Shaffer’s EQUUS premiered in 1973, and its age shows. A psycho-sexual exploration of insanity, spirituality, and conformity, it continues to appeal to generations of…
View More 60-second review: EQUUS (Curio)
Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will…
View More THE TEMPEST (Curio): Such stuff as dreams are made on
Charles Dickens asked in his will that no memorials be erected to him and so the life-size sculpture of the author in Clarke Park in…
View More “Great Expectations” at Curio Theatre
Irish playwright Conor McPherson has been called the “finest dramatist of his generation” (London Telegraph) with works that are “as near to perfection as a play can come”…
View More Conor McPherson’s The Weir: Subtlety and the Supernatural at the Curio Theatre