The challenge for EgoPo director Brenna Geffers was to make a play which must have been theatrically and politically radical a century ago relevant to a 21st-century audience.
View More THE HAIRY APE (EgoPo): The cage of modern lifeTag: EgoPo Classic Theater
STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee Williams
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
View More STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee WilliamsDEATH OF A SALESMAN (EgoPo): A Jewish take on the classic of American theater
DEATH OF A SALESMAN is often seen as a cultural comment on the American Dream, in EgoPo’s production it is a moving look at a man, his son, and their personal tragedies.
View More DEATH OF A SALESMAN (EgoPo): A Jewish take on the classic of American theaterGINT (EgoPo): Ibsen as American folklorist
Romulus Linney’s GINT, now in an engaging staging by EgoPo Productions, does an admirable job of translating this modernist classic for contemporary audiences. Linney reworks the story so it seems to have been lifted straight from the annals of American folklore.
View More GINT (EgoPo): Ibsen as American folkloristVictor Fiorillo, A Doll’s House, and the role of the reviewer
A review by Victor Fiorillo of EgoPo Classic Theatre’s A Doll’s House got Phindie writer Julius Ferraro contemplating the role of reviewer. This is part of Phindie‘s…
View More Victor Fiorillo, A Doll’s House, and the role of the reviewer[8] A DOLL’S HOUSE (EgoPo Classic Theatre): Fringe review
A DOLL’S HOUSE, Henrik Ibsen’s classic tale of female confinement, is ripe for adaptation to the world of a teenage girl: the claustrophobia of a…
View More [8] A DOLL’S HOUSE (EgoPo Classic Theatre): Fringe reviewFringe Preview 9: Center City Fringe
There’s still a cachet and a natural audience draw when a work is staged in the center of town, and that’s still where most of…
View More Fringe Preview 9: Center City FringeDon’t Worry Philly, There Will Be Theater in August
August is not the best of theater months. For most theaters, mainstream and small, the season is still a September or October to May session.…
View More Don’t Worry Philly, There Will Be Theater in AugustDeb Miller’s Top Picks for FringeArts 2013
HUSH NOW SWEET HIGH HEELS AND OAK by Brian Sanders’ JUNK (Photo credit: Steve Belkowitz) This year’s FringeArts Festival has a new name, but the…
View More Deb Miller’s Top Picks for FringeArts 2013Afterthoughts on UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo)
EgoPo’s show closes at Plays & Players in Philadelphia tonight. I finally got to see it at the end of the run. The finale of…
View More Afterthoughts on UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo)UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo): An unfortunate production
Rooted like wooden figurines in a nineteenth-century music box, the cast of EgoPo Classic Theater’s adaptation of Harriet Beecher Stowe’s UNCLE TOM’s CABIN stand in…
View More UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo): An unfortunate productionPIFA 2013: HSP’s ArkHIVE and other theatrical highlights
“[H]alf-way up the hill, I see the Past Lying beneath me with its sounds and sights,— A city in the twilight dim and vast, With…
View More PIFA 2013: HSP’s ArkHIVE and other theatrical highlights“Don’t ask me what happened. It’s best not to know!”: A DYBBUK, or Between two worlds
Review of A DYBBUCK from EgoPo Classic Theatre
View More “Don’t ask me what happened. It’s best not to know!”: A DYBBUK, or Between two worlds