A jubilant mix of beautiful music and songs, dancing, magic, social politics… and elocutionView More MY FAIR LADY (Quintessence): A splendid holiday gift
Shakespeare made simple, and simply fun.View More A MIDSUMMER NIGHT’S DREAM (Arden): Take pains, be perfect
Theatre Horizon’s production of William Finn’s autobiographical musical comedy is filled with off-beat humor, powerhouse vocals, and a life-affirming message.View More A NEW BRAIN (Horizon): Getting a new lease on life
It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.View More THE STINKY CHEESE MAN (Arden): No cheese smells this good
This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.View More METAMORPHOSES (Arden): A swim with the gods
A look at the building of the impressive set for the Arden production of METAMORPHOSES.View More Diving into METAMORPHOSES: A watery stage takes shape at the Arden
Henrik Eger talks to director Rebecca Wright about her work and influences.View More Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group)
With a perfect combination of passion, pride, storytelling, and imagination, the Arden Theatre Company’s production of GREAT EXPECTATIONS is a thrilling night of theater.View More GREAT EXPECTATIONS (Arden): Exceeds all expectations
I loved to read when I was a kid
And although I’m full grown I still love what I did.
THE CAT IN THE HAT was one of my faves.
Now that book is a play* and I’m giving it raves!
The Arden’s production is silly and wild.
It’s as good for adults as it is for a child.
Dylan Thomas’s poem A CHILD’S CHRISTMAS IN WALES runs the risk of becoming sticky-sweet with nostalgia, and it is director Sebastienne Mundheim’s idiosyncratic vision, and the spot-on…View More A CHILD’S CHRISTMAS IN WALES (Lantern): 60-second review
Lantern Theater Company’s world premiere adaptation of A CHILD’S CHRISTMAS IN WALES by Charles McMahon and Sebastienne Mundheim, the inventive “interdisciplinary performance-maker” who designed the production and also directs, captures all the warmth, nostalgia, and childlike wonder of the original, employing live actors, puppets, miniature houses, plastic-bag clouds, and exhilarating snow flurries to transform Thomas’s descriptive language and idealized memories into an enchanting theatrical vision.View More A CHILD’S CHRISTMAS IN WALES (Lantern): Idyllic visions of a holiday past