Chuck Schultz reviews Idiopathic Ridiculopathy Consortium’s DREAM GIRL in sketch and words.
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Tag: Dexter Anderson
THE PLOUGH AND THE STARS (Irish Heritage): Human portraits of a bloody struggle
Dives into the lives of Irish tenement dwellers at the time of the 1916 Easter Rising
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Ireland Rising: Irish Heritage Theatre actors respond to THE PLOUGH AND THE STARS
Nine Irish Heritage Theatre actors talk about the Irish roots of Sean O’Casey’s THE PLOUGH AND THE STARS.
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RODEO (Quince): “Who you calling a lady?”
Throw your preconceived notions about gender aside and ride your own exasperated mule to Quince Productions’ staging of RODEO.
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Peggy and the PAYCOCK: Interview with Peggy Mecham of Irish Heritage Theatre
Henrik Eger interviews Peggy Mecham about JUNO AND THE PAYCOCK, the second part of playwright Sean O’Casey’s “Dublin Trilogy”.
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JUNO AND THE PAYCOCK (IHT): A tragi-comic call for personal responsibility and peace in troubled times
The second installment in playwright Sean O’Casey’s tragi-comic “Dublin Trilogy” traces the misfortunes of a struggling Irish family during the Irish Civil War.
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A New 120 DAYS OF SODOM has Something for Everyone! (If everyone’s a fan of utter depravity)
Most books which were considered sexually scandalous at the time seem positively anodyne when read in the early 21st century. Marquis de Sade’s novels still make for discomforting reads.
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Shakespeare’s Darkest Play, Literally: TILL BIRNAM WOOD… returns to the Fringe
Director John Schultz talks about his immersive staging of Shakespeare’s Macbeth: to a blindfolded audience.
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SHADOW OF A GUNMAN (Irish Heritage Theatre): My great-grandfather—the shadow-less gunman
A tragic play gives this Irish American writer a newfound appreciation for his Irish heritage.
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THE SHADOW OF A GUNMAN (IHT): Humor and horror in the Irish homeland
Set during their fight for independence, this controversial two-act tragicomedy merges realism with poetry for an insightful and funny view of the Irish.
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STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee Williams
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
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SPLATTER (Manayunk Theatre Company): Fringe Review 24
This Neighborhood Fringe show, directed by Sean Connolly, transpires in the murky basement of an old church in Manayunk. The space lends an ideal sinister atmosphere to a play which, like many psychological thrillers, is more intimation and suspense than action.
View More SPLATTER (Manayunk Theatre Company): Fringe Review 24