It’s very satisfying to see this 1978 play revived; it still speaks to us and to the American condition
View More BURIED CHILD (EgoPo): A powerful production of a difficult play
Tag: Dane Eissler
Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)
The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
View More Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)
LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
View More LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
2018 Theater Preview: EgoPo Classic Theatre
EgoPo Classic Theatre focuses its 2017/18 series on the work of John Guare with the world premiere of Guare’s Lydie Breeze Trilogy as one fluid theatrical experience.
View More 2018 Theater Preview: EgoPo Classic Theatre
SEAGULL (EgoPo): A comedy of torn hearts and thwarted dreams
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
View More SEAGULL (EgoPo): A comedy of torn hearts and thwarted dreams
SPEECH AND DEBATE (Azuka): 60-second review
Azuka Theatre found a theatrical goldmine in the world of high school misfits with its 2012 production of J.C. Lee’s Pookie Goes Grenading, and finds rich…
View More SPEECH AND DEBATE (Azuka): 60-second review
STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee Williams
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
View More STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee Williams
FANDO Y LIS (Emily Schuman): Fringe Review 81
Fernando Arrabal’s FANDO Y LIS stands as an exemplar of mid-20th century modernism, alongside other practitioners of the Theater of the Absurd.
View More FANDO Y LIS (Emily Schuman): Fringe Review 81