Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
View More WAITING FOR GODOT (Curio): Highlighting the hilarity of Beckett’s classic
Tag: Dan Hodge
ALL’S WELL THAT ENDS WELL (PAC): A mingled web well woven
PAC’s current production confirms its reputation as the best adaptor of classic works.
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Theater in Sketch: ALL’S WELL THAT ENDS WELL (PAC)
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
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STUPID FUCKING BIRD (Arden): A sidesplitting and insightful reinvention of Chekhov
Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
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THE TAMING OF THE SHREW (PA Shakes): Shrewd Shakespeare
A good production that benefits most when it puts farce aside and concentrates on two people using their will to create partnership and harmony
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PETER AND THE STARCATCHER (Walnut): A wacky look at the backstory of Peter Pan
An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.
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DEATH OF A SALESMAN (Curio): Bringing Arthur Miller to life
Curio’s production underscores the delusion and the rawness of the lives of the Loman family.
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EQUIVOCATION (Arden): They made him an offer he can’t refuse
In the wake of the Gunpowder Plot of 1605, Shakespeare is summoned to take on a play commission for the Crown.
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And the Winners Are… 2015 Barrymore Award winners
2015 Barrymore Awards recipients by award category
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DRACULA (Hedgerow): Raising the stakes
This not your usual resurrection of the Dracula story of seducing young women to join him in the realm of the undead.
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ALTAR CALL (Melissa McBain): “Theologically speaking, have you ever considered going to hell?”
ALTAR CALL begins and ends with hymns, not only setting the mood but, through carefully chosen songs, it sends out thought-provoking messages
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THE CAPTIVE (PAC): 2015 Fringe review 5
Although it has lost the shock value (lesbianism!) it had in the 1920s, it is easy to see why PAC were attracted to this forgotten play.
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PAC Presents THE CAPTIVE: FringeArts Interview with Dan Hodge
Philadelphia Artists Collective has produced some of the finest works of the last few Fringe Festivals. Director Dan Hodge tells us about this year’s offering.
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2014/15 Critics’ Awards: The best in Philadelphia theater
Local theater writers vote for their favorites in twelve categories!
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HENRY V (PA Shakespeare): The king is but a man
While HENRY V contains two of Shakespeare’s most stirring speeches, smaller, less rhetorical moments are the more engrossing in Matt Pfeiffer’s staging for Pennsylvania Shakespeare Festival
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Picks for Best in Theater, 2014/15, by Philly Reviewer Neal Zoren
Each year, Philadelphia-based reviewer Neal Zoren announces his choices for the Helen and Morris Zoren Awards for World Theater. A fair number of the picks on Neal’s list are performers and productions from the Philadelphia area.
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THE THREE CHRISTS OF MANHATTAN: What would a Christ for today be like?
If Jesus were to appear today, what form would he take? A loving son of God, a Marxist activist, or a corporate exec who wants everyone to be rich?
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THE RAPE OF LUCRECE (Philadelphia Artists’ Collective): 60-second review
Dan Hodge’s one-man performance of Shakespeare’s poem RAPE OF LUCRECE is back! And it is not to be missed (again).
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Lucrece’s Revenge: A Fringe masterpiece returns for a brief run at the Wilma
Hodge’s one-man adaptation of William Shakespeare’s epic poem returns to Philadelphia in a four-day copresentation with the Wilma Theater.
View More Lucrece’s Revenge: A Fringe masterpiece returns for a brief run at the Wilma
THE FAIR MAID OF THE WEST, PART I (PAC): A pirate adventure “worth gold!”
Thomas Heywood’s ridiculous rip-roaring romantic romp across the high seas of the English Renaissance is the latest in the Philadelphia Artists’ Collective’s acclaimed productions of rarely seen classics.
View More THE FAIR MAID OF THE WEST, PART I (PAC): A pirate adventure “worth gold!”