Skip to content
Thursday, November 20, 2025
phindie

phindie

An independent take on Philadelphia theater and arts

about . contact . advertising . support

phindie
  • Reviews
  • Features
    • Interviews
  • Theater
  • Dance
  • Music
  • Film
  • Visual Arts
  • Podcasts

Tag: Damian Lemar Hudson

Fringe Festival Fringe reviews Music Reviews Theater

NOTES OF A NATIVE SONG (Stew and Heidi Rodewald): 2016 Fringe review 9

Kathryn Osenlund September 11, 2016 No Comments

“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black…

View More NOTES OF A NATIVE SONG (Stew and Heidi Rodewald): 2016 Fringe review 9
Reviews Theater

[NYC] THE TOTAL BENT (Public Theater): In world premiere in NYC, a messy rocking musical has Philadelphia connections

Kathryn Osenlund May 30, 2016 No Comments

The action transpires at the nexus of tradition, belief, protest, crass commercialism, and rock ‘n’ roll, shedding light on differing views of the budding Civil…

View More [NYC] THE TOTAL BENT (Public Theater): In world premiere in NYC, a messy rocking musical has Philadelphia connections

Support Phindie operations
Donate Button with Credit Cards

Subscribe

* indicates required
/* real people should not fill this in and expect good things - do not remove this or risk form bot signups */

Intuit Mailchimp

Now Trending…

  • Riverdance 30- The New Generation: Interview with fiddler Haley Richardson by Debra Danese
  • MACBETH (Lantern): Dancing, singing… and murder by Kathryn Osenlund
  • DO YOU WANT A COOKIE? (Bearded Ladies Cabaret): 2018 Fringe review by Smalley Bogg
  • Opening Doors, No Matter What: OSLO playwright J.T. Rogers talks about the evolution of a new world classic, developed at PlayPenn (part 1) by Henrik Eger
  • PANGAEA: A Folk Opera (Hum’n’bards): 2016 Fringe review 27 by Dorie Byrne
phindie | Designed by: Theme Freesia | WordPress | © Copyright All right reserved