Sam Shepard can set up a world like nobody else
View More FOOL FOR LOVE (EgoPo): Secrets, raw passion, and danger
Tag: Brenna Geffers
MEDEA, A Woman in Crisis: Interview with Jennifer Summerfield
Henrik Eger interviews the star of Hedgerow’s new production of a classical Greek tragedy.
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Meg and Dana Are Troilus and Cressida in RevShakes Non-traditional Fringe Casting
. For their fifth Festival production, the company continues its tradition of producing fiercely modern takes on lesser-known Shakespeare works with Troilus and Cressida.
View More Meg and Dana Are Troilus and Cressida in RevShakes Non-traditional Fringe Casting
MARIE ANTOINETTE (Curio): You say you want a revolution?
Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.
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REALLY (Theatre Exile): Camera obscura
Discomfort is the name of the game here, but to what purpose?
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TWO GENTLEMEN OF VERONA (EgoPo): High-spirited and delightfully messy
This musical theater version of Shakespeare’s Two Gentlemen of Verona, launches EgoPo’s season as a cabaret/fundraiser.
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International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
View More International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
2016-2017 Phindie Critics’ Awards
Philadelphia theater writers choose their favorite plays of the last season.
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Theater in Sketch: ANNA (EgoPo)
A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.
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DELIRIUM (EgoPo): 60-second review
At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.
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Fringe in Sketch: SHADOW HOUSE
SHADOW HOUSE was an impressive immersive piece
View More Fringe in Sketch: SHADOW HOUSE
International Fringe 2016: A welcome to theater from around the world, including refugees
The International Philly Fringe: A welcome to 28 countries
View More International Fringe 2016: A welcome to theater from around the world, including refugees
SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2
This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains
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Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival
Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.
View More Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival
MACHINAL (EgoPo): Welcome to the machine
A dank, metallic, appropriately oppressive feel imbues this production of Sophie Treadwell’s 90-year-old play.
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THE IT GIRL (Simpatico): Sounds of silence that still resonate
A world-premiere fictionalized bio-play on silent-film star Clara Bow captures the era and the lessons of her life and career as seen through a contemporary lens.
View More THE IT GIRL (Simpatico): Sounds of silence that still resonate
K.O. DelMarcelle: Maintaining versatility with an eye on the future
Barrymore Award-nominated actress and choreographer K.O. DelMarcelle talks about her past experiences, current life, and future aspirations.
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LA RONDE (Brenna Geffers): Moving around and switching around Schnitzler
A new site-specific re-envisioning of Schnitzler’s 19th-century play brings post-modern import to his now-historic examination of socio-sexual mores.
View More LA RONDE (Brenna Geffers): Moving around and switching around Schnitzler
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
o subtitles necessary to hear praises sung for women astronomers of the late 19th century.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1