A crippling honesty and family ties mark August Wilson’s Radio Golf, a play that flows with humor along with sharply incisive dialogue and a clever story line.
View More RADIO GOLF (Arden): Hearts on one side, heads on the otherTag: August Wilson
GEM OF THE OCEAN (Arden): A thing of beauty
GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.
View More GEM OF THE OCEAN (Arden): A thing of beautyLocal playwright makes good: An interview with Jacqueline Goldfinger
It’s been a banner month for local playwright Jacqueline Goldfinger.
View More Local playwright makes good: An interview with Jacqueline GoldfingerTHE BALLAD OF TRAYVON MARTIN (New Freedom): When a play makes you feel something
New Freedom Theatre’s latest teaches us that anger is a valid reaction to any play that depicts racial injustice.
View More THE BALLAD OF TRAYVON MARTIN (New Freedom): When a play makes you feel somethingDear White People: TWO TRAINS RUNNING is not a play about race
A critic evaluating TWO TRAINS RUNNING is not an anthropologist studying another culture through their artifacts.
View More Dear White People: TWO TRAINS RUNNING is not a play about raceTWO TRAINS RUNNING (Arden): 1969, Pittsburgh
August Wilson is a really good playwright. That’s hardly a bold critical statement, but it’s one confirmed by this vivid production at Arden Theatre Company.
View More TWO TRAINS RUNNING (Arden): 1969, PittsburghTHE PIANO LESSON (McCarter): A fine tune
Baikida Carroll’s PIANO LESSON is August Wilson as it’s meant to be seen.
View More THE PIANO LESSON (McCarter): A fine tuneBuilding a Diverse Audience for Theater: Interview with playwright/actor/director Kash Goins
How can theater attract people of all socio-economic, educational, and ethnic backgrounds?
View More Building a Diverse Audience for Theater: Interview with playwright/actor/director Kash GoinsFENCES (People’s Light): On broken dreams and the hope for change
The 2nd production by People’s Light from Wilson’s “Century Cycle”, FENCES is an engaging and profound examination of very human characters dealing with very challenging circumstances,
View More FENCES (People’s Light): On broken dreams and the hope for changeAfrican American History Month, onstage in Philadelphia
I’m writing this on February 4th, on what would be Rosa Parks 99th birthday. Parks herself is represented onstage in Philadelphia tonight, at the end…
View More African American History Month, onstage in PhiladelphiaInterview with James C. Tolbert III
James Tolbert has decades of experience on stages in Philadelphia and around the country, most recently as the lead in August Wilson’s Joe Turner’s Come…
View More Interview with James C. Tolbert III