“We are together.” This line is an often-repeated refrain in Death of a Driver, a grim new play by Will Snider presented by InterAct at the Drake’s Proscenium…
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Tag: Akeem Davis
DEATH OF A DRIVER (InterAct): 60-second review
Faced with bureaucratic nonsense or official missteps, who hasn’t said ‘fuck the government’ or a more genteel equivalent? The multi-ethnic East African Kenya Colony gained independence in…
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Pulitzer Podcast Review: STREETCAR NAMED DESIRE at the Arden
Chosen by Committee podcasters Josh Herren and Christopher Munden tear themselves from the Pulitzer bookcase to see a live Pulitzer-winning show.
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GEM OF THE OCEAN (Arden): A thing of beauty
GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.
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A DOLL’S HOUSE (Arden): Ibsen for our times
A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.
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2016-2017 Phindie Critics’ Awards
Philadelphia theater writers choose their favorite plays of the last season.
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2017 Barrymore nominees: In their own words
Phindie asked this year’s crop of Barrymore Award nominees about their experience of being nominated.
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BUZZER (Theatre Exile): We wouldn’t come here if we didn’t live here
A provocative and dismaying story, conveyed through complex characters rather than through statistics and theories
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SHITHEADS (Azuka): Nice ride
Azuka’s terrific production of SHITHEADS, a new play by Douglas Williams, details the New York bicycle subculture.
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Two by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
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ALL’S WELL THAT ENDS WELL (PAC): A mingled web well woven
PAC’s current production confirms its reputation as the best adaptor of classic works.
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Theater in Sketch: ALL’S WELL THAT ENDS WELL (PAC)
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
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[podcast] Lobby “Hero”?
On today’s podcast, Akeem Davis and Brian Radcliffe are joined by Mark Bookman and Dana Cook of the Atlantic Center for Capital Representation to dig deep into the matter of LOBBY HERO by: Kenneth Lonergan.
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LOBBY HERO (Theatre Horizon): A web of unintended consequences
Kenneth Lonergan’s new play explores the many levels of trust.
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RIZZO (Theatre Exile): A romp through the Rizzo years
Return with us now to those thrilling days of yesteryear when Frank Rizzo strode the city like he owned it.
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RIZZO (Theatre Exile): A big hit on the “Big Bambino”
A world-premiere production on former Mayor Frank Rizzo portrays the good and the bad of the controversial Philadelphia icon.
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ALL MY SONS (People’s Light): A treat from the golden age of American theater
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
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HENRY V (PA Shakespeare): The king is but a man
While HENRY V contains two of Shakespeare’s most stirring speeches, smaller, less rhetorical moments are the more engrossing in Matt Pfeiffer’s staging for Pennsylvania Shakespeare Festival
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IN THE BLOOD (Theatre Horizon): Social satire in the service of compassion
Suzan-Lori Parks’ post-modern re-envisioning of Nathaniel Hawthorne’s The Scarlet Letter addresses the theme of destiny, the tragedy of poverty, and the societal need for compassion in a provocative in-your-face production
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UNNECESSARY FARCE (Act II): 60-second review
A stakeout goes awry with hilarious consequences in UNNECESSARY FARCE at Act II Playhouse.
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