LAUGHTER ON THE 23RD FLOOR (Walnut): Funny, morbid, timely, and of a time
Theatergoers who long for the good ol’ days of pre-political correctness will love it. Everyone else, just enjoy the ride.
View More LAUGHTER ON THE 23RD FLOOR (Walnut): Funny, morbid, timely, and of a timeTwo by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
View More Two by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)Dance eXchange (BalletX): Handing wings to our future
Through performance, we how to keep our boundaries and respect each other, sharing what we love and cherish
View More Dance eXchange (BalletX): Handing wings to our futureHAMLET (Bedlam Theater Company): “Shakespeare’s most underrated comedy” is at McCarter in Princeton
Bedlam’s imagination and the energy of their acting make their production stand out.
View More HAMLET (Bedlam Theater Company): “Shakespeare’s most underrated comedy” is at McCarter in PrincetonA Winter in the Life of J.S. Bach
This February, Choral Arts Philadelphia presents the Winter segment of the 1734-1735: A Season In The Life of J.S. Bach.
View More A Winter in the Life of J.S. BachDance in Sketch: DOUG VARONE AND DANCERS (NextMove)
oug Varone and Dancers presented three different dances
View More Dance in Sketch: DOUG VARONE AND DANCERS (NextMove)Matt and Matt: A conversation with one-man comedy duo Matt Holmes
In Matt&, Philly improv comedian Matt Holmes performs with an audience member. The show runs every month at 7pm on the fourth Thursday of the month at the new Good Good Comedy Theatre.
View More Matt and Matt: A conversation with one-man comedy duo Matt HolmesCONSTELLATIONS (Wilma): Love in the multiverse
“We have all the time we ever had.”
View More CONSTELLATIONS (Wilma): Love in the multiverseINFORMED CONSENT (Lantern): A strange kind of ethics
The play has a compelling point to make about the diversity of truth and mutual respect, but in the end, it’s difficult to take the argument seriously.
View More INFORMED CONSENT (Lantern): A strange kind of ethicsAND THEN THERE WERE NONE (Allens Lane): This production of Agatha Christie’s classic stays close to the original
The real horror of Christie’s original ending sits in discord with the show’s campy beginning.
View More AND THEN THERE WERE NONE (Allens Lane): This production of Agatha Christie’s classic stays close to the originalLIZZIE (11th Hour): Lizzie Borden took an axe
This is what “stifled rage” sounds like. Not so stifled, but certainly enraged.
View More LIZZIE (11th Hour): Lizzie Borden took an axeTheater in Sketch: Chris Davis in ONE-MAN APOCALYPSE NOW
The setting is Vietnam and we are just waking up at the voice of Martin Sheen.
View More Theater in Sketch: Chris Davis in ONE-MAN APOCALYPSE NOWTHE HITCHHIKER’S GUIDE TO THE GALAXY, PART 2 (Hedgerow): Infinite fun!
Familiarity with the pan-galactic Hitchhikers Guide isn’t necessary to appreciate this cosmic comedy, just a general suspension of time, disbelief and willingness to have infinite fun.
View More THE HITCHHIKER’S GUIDE TO THE GALAXY, PART 2 (Hedgerow): Infinite fun!Theater in Sketch: ENTER LAUGHING (Players Club of Swarthmore)
This meta-play within a play is clever and ridiculous.
View More Theater in Sketch: ENTER LAUGHING (Players Club of Swarthmore)Circus in Sketch: Previewing CIRQUE ELOIZE
At a sneak peak of he cast of the circus that is coming to Merriam Theater January 13-14, 2017, Cirque Eloize performed for the kids of Children’s Hospital of Philadelphia and brought some real laughs and smiles for all.
View More Circus in Sketch: Previewing CIRQUE ELOIZEENTER LAUGHING (Players Club of Swarthmore): Harvesting the humor in humiliation
Leave cynicism in the lobby and pick it up later
View More ENTER LAUGHING (Players Club of Swarthmore): Harvesting the humor in humiliationAT HOME WITH THE HUMORLESS BASTARD (Annie Wilson): What’s left behind
The boundaries are always open.
View More AT HOME WITH THE HUMORLESS BASTARD (Annie Wilson): What’s left behind[nyc] THE MIKADO (NYGASP): Same music, less yellow-face
A vibrant, three-hour clever and engaging tale accompanied by its many classic show-stopping musical numbers
View More [nyc] THE MIKADO (NYGASP): Same music, less yellow-faceIntimate Associations at IMMINENCE: Hollis Heichemer’s Stratigraphy of Color at Gross McCleaf
Hollis Heichemer’s Imminence exhibition at the Gross McCleaf Gallery presents 16 works by the artist – the majority on Mylar, two on canvas.
View More Intimate Associations at IMMINENCE: Hollis Heichemer’s Stratigraphy of Color at Gross McCleafNICE AND FRESH Returns with Josh McIlvain, Irina Varina, Steve Lippe, Evalina “Wally” Carbonell
Philadelphia’s best revue of new performing arts returns for another season January 13 and 14, 2017, at Moving Arts of Mount Airy.
View More NICE AND FRESH Returns with Josh McIlvain, Irina Varina, Steve Lippe, Evalina “Wally” Carbonell