Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
THE PHILADELPHIA FLOWER SHOW: A dilettante at large review
You’ll find much beauty in the vast halls of Convention Center.
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WINTER SERIES 2023 (BalletX): Past and present
BalletX’s 2023 Winter Series sees the company reaching back into their past and looking to the future, with new or reconsidered works by three contemporary…
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CAT ON A HOT TIN ROOF (Walnut Street Theatre): A thinking play
Introducing Cat on a Hot Tin Roof as “a thinking play,” Tennessee Williams wrote to his audiences: “I want to go on talking to you…
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MEET ME AT DAWN (Inis Nua): Mysteries and satisfaction
Leave it to Inis Nua, the theater company whose name means “New Island” and is dedicated to producing plays from England, Ireland, Scotland and Wales.…
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The return of Alvin Ailey American Dance Theater: Interview with Jeroboam Bozeman
As Alvin Ailey American Dance Theater prepares to return to Philly, Jeroboam Bozeman took some time to talk with writer, Debra Danese. The two reconnected…
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New York Theater Report: Reviews of PICTURES FROM HOME, ENDGAME, and CORNELIA STREET
Toby Zinman looks at three plays now New York stages.
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EMPATHITRAX (PTC):What tools can… or, should you use to save a relationship?
How would knowing exactly what another person is feeling change your relationship, for better or for worse?
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DON PASQUALE (AVA): A Dilettante at Large review
Our dilettante at large reviews Academy of Vocal Arts’ South Philly themed production of Donizetti’s comic opera
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Standing By: Interview with 1776 actor Sara Gallo
Sara Gallo juggles many roles in her life onstage and off. The actor, teacher, and mentor is a standby for four roles in the touring…
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THE LIGHT (Theatre Exile): A couple finally, authentically communicating
An engaging conversation about how societal constructs and systems can affect our relationships
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THE LIFESPAN OF A FACT (Lantern): Conveying a larger truth
In the political news in the past few years, the concern has been not with the lifespan of facts, but the lifespan of lies
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Carmina Burana + Credo (Opera Philly): A dilettante at large review
The Dilettante at Large is at large again, writing about the culture as an enjoyer rather than an expert. Her latest pleasure was Opera Philly’s…
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CLYDE’S (Arden): All the ingredients are here
Terrific actors playing lovable characters, important issues, snappy dialogue, and plenty of comedy
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KISS (Wilma): What does it mean when someone else is representing you?
A play is about acting as well as the political act of making theater as well as about getting it wrong through cultural appropriation
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FORWARD MOTION (Philadelphia Ballet): An excellent showcase of skill
The intimate Perelman Theater in the Kimmel Cultural Campus provides an ideal setting for Philadelphia Ballet’s impressive new production, Forward Motion, three world premieres by…
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BROADS (1812 Productions): A tip of the hat to the grand old dames of comedy
Take it from this old broad, Broads, 1812 Productions’ new show, is an entertaining 75 minutes—if you like funny songs and dirty jokes.
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New Museum for Art in Wood Sprouts in Old City
Over the last four decades, the Center for Art in Wood on North 3rd Street in Old City has enhanced the public’s understanding of contemporary art…
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BEOWULF (Benjamin Bagby): A rare theatrical experience
Benjamin Bagby takes on the role of the scop, the storyteller
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Waiting For Lefty (Quintessence): On the side of angels but not art
This show has history. Odets, a voice for his disinherited generation was born in Philadelphia.
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FARRENC AND BRAHMS (Philadelphia Orchestra) Soloist Seong-Jin Cho dominates a night of high drama
It was just minutes into the performance, but the crowd at Verizon Hall was already overcome.
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