Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
A well-intentioned but dull play about an important legal program in Philadelphia.
View More PROJECT DAWN (People’s Light): The hug or the hammerThere was a perfection to the timing of FUN HOME’s arrival in Philadelphia: Another take on FUN HOME
View More FUN HOME (national tour at Forrest Theatre): A study in wantSimpatico Theatre Company’s production of HIR by Taylor Mac challenges audiences to reconsider preconceptions of gender identity
View More Theater in Sketch: HIR (Simpatico)Those fortunate enough to see both renditions of PARROT TALK witnessed in real-time flow the distillation of creative genius.
View More Revisiting PARROT TALK: A play distilled mid-runSATURDAY NIGHT FEVER is a white-washed adaptation of the classic movie, with double the music and none of the soul. Director/choreographer Richard Stafford seems terrified…
View More SATURDAY NIGHT FEVER (Walnut): Stayin’ AliveGILBERT SANCHEZ speaks about his role as Ritchie Valens in the current production.
View More Ritchie Valens in THE BUDDY HOLLY STORY: Interview with actor Gilbert SanchezFUN HOME is both a musical and a family drama; it’s also an activist declaration
View More FUN HOME (national tour at Forrest Theatre): Hiding who you are is likely to be tragicGood productions of Chekhov remind us of how vital his work still can be. Bad productions feed the narrative that his plays are dated, charmless, and inconsequential.
View More UNCLE VANYA (Quintessence): Tedious boring peopleDance is one of our most natural ways to communicate and express our thoughts.
View More ANNE-MARIE MULGREW AND DANCERS COMPANY: Marvels in our daily livesThe InterAct Theater goes behind the scenes of a working kitchen
View More Theater in Sketch: HOW TO USE A KNIFE (InterAct)This temporal moment is an instant visual image that leaves us with something once the performance is over.
View More Dance in Sketch: Anne-Marie and Dancers CompanyAuthor’s note: Taylor Mac uses “judy” as a gender pronoun. This review reflects Mac’s preference. Taylor Mac’s work is unwieldy and absurdist, challenging and unsettling.…
View More HIR (Simpatico): We are all everythingA gripping solo play that asks tough questions and rejects easy answers
View More DOGS OF RWANDA (InterAct): We are witnessesThe Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.
View More THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literatiJerry’s Girls. April 4-July 2, 2017. Walnut Street Theatre, 825 Walnut Street. $35-$40. walnutstreettheatre.org The Light Princess by Tony Lawton and Alex Bechtel. April 5-June 2, 2017. Arden Theatre Company, 40 N.…
View More Philadelphia Theater Calendar June 2017Scene one is hilarious; scene two wipes the smile right off your face.
View More HOW TO USE A KNIFE (InterAct): A sharp new playWhat’s on stage in Philadelphia this month?
View More Philadelphia Theater Calendar June 2017Brian Friel the Irish Chekhov.
View More MAKING HISTORY (Irish Heritage Theatre): Make Ireland Great AgainA great play for history buffs and hibernophiles.
View More MAKING HISTORY (Irish Heritage Theatre): A very human Irish history playAlthough her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.
View More Quincy Tyler Bernstine in INTIMATE APPAREL: Stalwart supporting actor gets chance to shine