A dilettante at large: A QUIET PLACE (Curtis Institute of Music)
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
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SPRING SERIES 2018 (BalletX): Ballet, according to BalletX
The program showcases the company’s unique character and the strength.
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A Three-Man Show About Two One-Man Shows: CSz Philadelphia’s TWO-MAN ONE-MAN
TWO-MAN, ONE-MAN is a three-man show—about two one-man shows—being performed as a two-man show.
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LYDIE BREEZE PART 2: AIPOTU (EgoPo): Seeking utopia
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
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THE DIARY OF ANNE FRANK (People’s Light): An intense retelling of a familiar story
David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
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THE MOST DESERVING (Allens Lane): Art-iface at it’s funniest!
Catherine Trieschmann’s THE MOST DESERVING is an all out cuckoo cultural clash, insanely hilarious as performed at Allens Lane
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MARIE ANTOINETTE (Curio): You say you want a revolution?
Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.
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Dance in Sketch: Kun-Yang Lin/Dancers open studio
Kun-Yang Lin/Dancers Open Rehearsals series is taking place now as they prepare for Faith Project at the Prince Theater March 22-24
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PASSING STRANGE (Wilma): Youth and rebellion
Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”
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Oscar-Winning Movies Don’t Come From Plays Anymore
No published or produced play has been the source for a Best Adapted Screenplay award since 1989.
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Dance Rehearsal in Sketch: BARRY: MAMALOSHEN (Asya Zlatina)
Asya Zlatina and Dancers is a constant reminder for myself that Philadelphia dancers are connected and collaborating with each other.
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Philadelphia Theater Calendar March 2018
This is what you can see in Philly theaters in March 2018.
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Remembering TIME REMEMBERED: Interviews with the IRC cast
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
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A STEADY RAIN (Walnut St): An intense and engrossing cop show
If you’re a fan of TV police procedurals this is the play for you.
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Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
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AN EVENING WITH GROUCHO (Bucks County Playhouse): 60-second review
Frank Ferrante can turn into his boyhood and current idol, Groucho Marx, on a dime.
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LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with love
Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.
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SOMETHING ROTTEN in Philadelphia: Philly natives return with the touring production
Philadelphia natives Rob McClure and Maggie Lakis are returning home for SOMETHING ROTTEN.
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WAIT UNTIL DARK (Hedgerow Theatre): For brilliant suspense…
Light, shadows, sound and silences coalesce with acting artistry to create a stirring, sensational air of suspense
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BALLETS JAZZ DE MONTREAL (NextMove Dance): An intriguing program of natural technique
Ballets Jazz de Montréal returned to the Prince Theater this weekend to perform three Philadelphia premieres.
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