HARRIET (dir. Kasi Lemmons): 2019 Philadelphia Film Festival review
You’ve never seen a movie like HARRIET
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DOGS DON’T WEAR PANTS (dir. J-P Valkeapää): 2019 Philadelphia Film Festival review
Even those not on board with the film’s themes will be won over by the sensory experience
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THE IRISHMAN (dir. Martin Scorsese): 2019 Philadelphia Film Festival review
A stunningly realized world with an ensemble of legends doing what they do best
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DON QUIXOTE (PA Ballet):
A thrilling reprise from Pennsylvania Ballet
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THE NIGHT ALIVE (Inis Nua): A little unlikely magic
A writer in touch with real life—and how scary it can be.
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COME FROM AWAY (national tour): Welcome to the Rock
Deeply stirring and mournful, a remarkable accomplishment
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BACURAU (dir. Kleber Mendonça Filho, Juliano Dornelles): 2019 Philadelphia Film Festival review
If Bacurau is what an international genre film looks like, color me excited, because it’s a great look.
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MARY SHELLEY’S FRANKENSTEIN (McCarter): Overreaching ambition
Theatrically spectacular but without the marvelous profundity of the source novel
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DEERSKIN (dir. Quentin Dupieux): 2019 Philadelphia Film Festival review
There is nobody making films like Quentin Dupieux. The gleefully immature DEERSKIN might be his most mature work yet
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THE SYNGE TRIPTYCH (Quintessence): Celebrating the common people of Ireland
In repertory with their solid production of PLAYBOY OF THE WESTERN WORLD, the company presents three of Synge’s one-acts as THE SYNGE TRIPTYCH.
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THE LODGE (dir. Severin Flavia + Veronica Franz): 2019 Philadelphia Film Festival review
Appropriately enough, THE LODGE leaves us cold.
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JALLIKATTU (dir. Lijo Jose Pellissery): 2019 Philadelphia Film Festival review
It’s not to be missed. And that’s no bull.
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PARASITE (dir. Joon-ho Bong): 2019 Philadelphia Film Festival review
This years Palme d’Or winner at Cannes was also the opening night film for the 28th annual Philadelphia Film Festival.
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DOT (People’s Light): A (fading) memory play
Mmemories fill a family’s West Philadelphia home like radio waves.
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An Irish Masterpiece Still Shocking: Considering Synge’s PLAYBOY OF THE WESTERN WORLD
An extended consideration of the new Synge production from Mount Airy’s Quintessence Theatre.
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Speak From Away: Dialect coach Joel Goldes teaches Newfie-talk and other accents for COME FROM AWAY
Dialect coach Joel Goldes breaks down what it takes to learn an accent.
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10 Picks for the 2019 Philadelphia Film Festival
What to see at the 2019 Philadelphia Film Festival
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And the winners are… 2019 Barrymore Award recipients
Hey, who won a 2019 Barrymore Award?
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FALSETTOS (11th Hour Theatre Company): 60-second review
A challenging show, with musically complicated, character-driven songs, that demands performers tell almost the entire story through song.
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MINORITYLAND (Power Street Theatre): The G word
MINORITY portrays gentrification and its evils in a complexity lacking from the characters that inhabit the fictional Hope Street.
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