Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
Henrik Eger interviews Peggy Mecham about JUNO AND THE PAYCOCK, the second part of playwright Sean O’Casey’s “Dublin Trilogy”.
View More Peggy and the PAYCOCK: Interview with Peggy Mecham of Irish Heritage TheatreIn his second season as the artistic director of the Pennsylvania Ballet, Angel Corella is hand-picking the entire program for the first time.
View More SPEED & PRECISION: (PA Ballet): Color and character at the start of a new chapterReturn with us now to those thrilling days of yesteryear when Frank Rizzo strode the city like he owned it.
View More RIZZO (Theatre Exile): A romp through the Rizzo yearsThe second installment in playwright Sean O’Casey’s tragi-comic “Dublin Trilogy” traces the misfortunes of a struggling Irish family during the Irish Civil War.
View More JUNO AND THE PAYCOCK (IHT): A tragi-comic call for personal responsibility and peace in troubled timesA world-premiere production on former Mayor Frank Rizzo portrays the good and the bad of the controversial Philadelphia icon.
View More RIZZO (Theatre Exile): A big hit on the “Big Bambino”What could be so funny in a play written nearly 500 years ago? There is something for everyone to either laugh or balk at in this bawdy production of a play by Machiavelli.
View More THE MANDRAKE (Quintessence): A Machiavellian sex satireOpera Philadelphia announces its new cutting-edge direction with a twelve-day urban opera festival that will debut in September 2017.
View More Opera Is Now Open: Opera Philadelphia Unveils its Plans for O17Impressive theatricality in an imperfect production of Orwell’s allegory of the Russian Revolution and Stalin’s real-life dystopia.
View More ANIMAL FARM (Luna): From pig to (wo)man, and from (wo)man to pigBoasting a youth ensemble, an apprentice company and a main performing company, The Philadelphia Dance Company is committed to celebrating and preserving African American traditions in dance.
View More DANCO ON DANCO (Philadanco): Hits, Misses, and Slam Dunks!Pasión y Arte, an all-female flamenco dance company based in Philadelphia presents the first of a quarterly performance series.
View More Wine, Tapas, Flamenco! Pasión y Arte presents a contemporary take on a classic tablaoFrédéric François Chopin’s expressive and technically demanding piano concertos are among the finest in the classical music canon. So naturally, Polish actor Barbara Wysocka and director Michael Zadara…
View More Chopin As He Was Meant To Be Heard: Without the pianoYou are advised, before the show takes off, to secure your seatbelt. DO IT!
View More CHARLIE VICTOR ROMEO (South Camden): Turbulence aheadMendelssohn Club of Philadelphia opens its 142nd season welcoming artistic director Paul Rardin with three psalms by Mendelssohn, a world premiere, and Mozart’s Mass in C.
View More BEGINNINGS… (Mendelssohn Club): Beginnings of a new traditionIn her amusing staging of Shakespeare, director Carmen Khan focuses on the compromise, interplay, and transformative power of love which make up a mature relationship.
View More THE TAMING OF THE SHREW (Philadelphia Shakespeare Theatre): A woman movedAyad Akhtar’s Pulitzer-winning play is a conversational piece with a high-paced ending and plenty of thought-provoking ideas.
View More DISGRACED (PTC): Talking politics, religion, and cultureLaura Schellhardt’s foray into the Pop psychology of familial dysfunction and the significance of personal possessions is given its regional premiere.
View More AUCTIONING THE AINSLEYS (People’s Light): Familial dysfunction, memory, and the significance of objectsKen Ludwig brings four of the outstanding characters from Lend Me A Tenor from Cleveland to Paris for more rollicking escapades.
View More A COMEDY OF TENORS (McCarter): More adventures in operaNew exhibit focuses on the choreographic works and also the lesser-known drawings created by dance maker Trisha Brown.
View More Art Exhibit Celebrates Trisha Brown’s Creative MilieuThe man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.
View More ANTIGONE (Wilma): Spectacular, but a spectacular failurePart 2 of Lew Whittington’s series on gay identities in dance
View More Dancing around the glass closet, Part 2: Gay identities in dance