Luna’s adaptation of one of the finest films ever made doesn’t dare to change enough to be much more than a translation of Kurosawa’s movie.
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Category: Theater
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Shakespeare vs Stoppard: Exploring the Wilma’s dream pairing of HAMLET and ROSENCRANTZ AND GUILDENSTERN ARE DEAD
Two of the best plays in the English language share most of the same characters and much of the same dialog. The Wilma is doing them in successive productions.
View More Shakespeare vs Stoppard: Exploring the Wilma’s dream pairing of HAMLET and ROSENCRANTZ AND GUILDENSTERN ARE DEAD
COLLECTED STORIES (Isis): Lifting the mothballed veils of secrecy
Donald Margulies’s shocking intergenerational encounter COLLECTED STORIES is given a brutal performance at the Walnut Street Theatre Studio
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YOUNG VOICES MONOLOGUE FESTIVAL 2015 (InterAct): The maturity of Millennials
Baby Boomers are certain that Millennials are nothing but lazy, uncultured slackers. The YOUNG VOICES FESTIVAL blasts that idea into smithereens.
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MERRILY WE ROLL ALONG (Temple Theater): Parties and excess
The young talent the school is grooming stands out in the Temple Theater production of Stephen Sondheim and George Furth’s MERRILY WE ROLL ALONG.
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FIELD HOCKEY HOT (11th Hour): A champion of laughter
One does not know what to expect when walking into a production revolving around sports. Many seem to believe that sports and theater do not…
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MACBETH (Arden): Fast but not furious [critical mass review #2]
Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.
View More MACBETH (Arden): Fast but not furious [critical mass review #2]
A Stage of One’s Own: MZ FEST at Plays and Players
MZ FEST brings together several local avant garde companies to provide dramatic theater opportunities for female artists.
View More A Stage of One’s Own: MZ FEST at Plays and Players
METRONOME TICKING (Henrik Eger/Bob Spitz): Human beings on both sides of the Holocaust
METRONOME TICKING intertwines the memoirs a Holocaust survivor with the personal letters of an ambitious Third Reich propaganda officer to tell a story of love and empathy in the time of the Holocaust.
View More METRONOME TICKING (Henrik Eger/Bob Spitz): Human beings on both sides of the Holocaust
AND THEN THERE WERE NONE (Walnut): Ten little soldier boys having lots of fun
Agatha Christie has always been a theatrical guilty pleasure, like sitting down with a nice genre book or singing along to top 40
View More AND THEN THERE WERE NONE (Walnut): Ten little soldier boys having lots of fun
BASKERVILLE (McCarter): An entertaining trip to Dartmoor
Ken Ludwig taps literature’s most iconic detective with BASKERVILLE, a funny, inventive, entertaining take on Arthur Conan Doyle’s “The Hound of the Baskervilles.”
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LAFFERTY’S WAKE (Society Hill Playhouse): “For God’s sake, you got to laugh a little!”
Society Hill Playhouse celebrates St. Patrick’s Day with a seasonal revival of Susan Turlish’s musical-comedy send-up of the Irish,
View More LAFFERTY’S WAKE (Society Hill Playhouse): “For God’s sake, you got to laugh a little!”
JASON AND THE ARGONAUTS (People’s Light): A playful retelling for all ages
Scotland’s Visible Fictions brings a child-friendly version of the Greek myth of JASON AND THE ARGONAUTS, adapted by Robert Forrest, to People’s Light & Theatre Company
View More JASON AND THE ARGONAUTS (People’s Light): A playful retelling for all ages
MACBETH (Arden): Bloody bold and resolute [critical mass review #1]
Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.
View More MACBETH (Arden): Bloody bold and resolute [critical mass review #1]
Critical Mass: Arden’s MACBETH introduces a new feature on Phindie
Readers of Phindie will know that I’m a big fan of William Shakespeare. Yet in the Fall, when I got an invitation to see a…
View More Critical Mass: Arden’s MACBETH introduces a new feature on Phindie
Diary of a Playwright, part 2: Doug Williams sees MOON CAVE take the stage
Part Two of Douglas Williams backstage diary as the play he wrote finishes rehearsals and opens to audiences.
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COLLECTED STORIES (Isis): When “What happens in Vegas” doesn’t stay in Vegas
An off-the-record conversation between an established author and her graduate student assistant becomes the basis for an increasingly adversarial examination of professional ethics, artistic license, and personal betrayal.
View More COLLECTED STORIES (Isis): When “What happens in Vegas” doesn’t stay in Vegas
MOON CAVE (Azuka Theatre): Eclipse of the mind
Playwright Douglas Williams gives us a view into the life and psyche of a young man haunted by horrific events from his past.
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GHOST (Media Theatre): Animating a corpse
Director Jesse Cline doesn’t let GHOST’s musical or lyrical deficiencies stand in his way of making involving theater.
View More GHOST (Media Theatre): Animating a corpse
No Elephants in This Circus: Lauren Rile Smith talks about Tangle Movement Arts’ circus-theater cabaret TELL IT SLANT
Lauren Rile Smith talks about circus, feminism, and whether or not there will be large mammals at Tangle Movement Arts TELL IT SLANT.
View More No Elephants in This Circus: Lauren Rile Smith talks about Tangle Movement Arts’ circus-theater cabaret TELL IT SLANT