Did the holidays somehow sneak up on you? Get in the holiday spirit quickly with the warm, funny, and entertaining cast at Act II Playhouse.
View More BEHIND THE MUSIC: HOLIDAY TUNES (Act II): 60-second reviewCategory: Theater
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THE BALD SOPRANO (Curio): The absurd banality of everyday conversation
Ionesco offers comically entertaining insight on the careless and constant cacophony that passes for communication but is just platitudinous twaddle.
View More THE BALD SOPRANO (Curio): The absurd banality of everyday conversationStoppard in Philadelphia: Video of the playwright’s appearance at the Wilma
Theater webmagazine Howlround provide this video of a conversation with the internationally renowned playwright.
View More Stoppard in Philadelphia: Video of the playwright’s appearance at the WilmaTHE BOOK OF MORMON (First National Tour Company): Sincerely funny
This touring production doesn’t make THE BOOK OF MORMON any more savage, but it knits Parker and Stone’s comic ideas together into a moving story more satisfying because it has a human core.
View More THE BOOK OF MORMON (First National Tour Company): Sincerely funnyGENTLEMEN VOLUNTEERS (Pig Iron): Psychology, trickery, live foley, everything you want
GENTLEMAN VOLUNTEERS displays charm, psychological interest, and fringe sentiment which planted the roots of Pig Iron’s experimentation.
View More GENTLEMEN VOLUNTEERS (Pig Iron): Psychology, trickery, live foley, everything you want[NYC] PERFECT CRIME (Armand Hyatt): A conundrum of a play
New York’s longest running play is a convoluted whodunit, filled with twists and turns that would confuse even the most seasoned detective.
View More [NYC] PERFECT CRIME (Armand Hyatt): A conundrum of a play[NYC] MY BIG GAY ITALIAN MIDLIFE CRISIS (Bianco Productions): The side-splitting saga continues!
The third in Anthony J. Wilkinson’s Off-Broadway trilogy takes a personal look at what it means to be middle-aged, gay, and Italian, with over-the-top humor and heartwarming sensitivity.
View More [NYC] MY BIG GAY ITALIAN MIDLIFE CRISIS (Bianco Productions): The side-splitting saga continues!BASKERVILLE (PTC): The adventure of the omnipresent detective
Ken Ludwig’s idea of turning a Sherlock Holmes story into a comedy isn’t groundbreaking, which means the execution of the idea needs to be really good to stand out
View More BASKERVILLE (PTC): The adventure of the omnipresent detective2016 is almost knocking at the gate: Interview with LAFFERTY’S WAKE playwright Susan Turlish
In this, the second of a two-part interview (read part one here), Henrik Eger talks to playwright Susan Turlish about her work.
View More 2016 is almost knocking at the gate: Interview with LAFFERTY’S WAKE playwright Susan TurlishABBOT ADAM: NONE (No Face/ FringeArts): What does it all mean?
The second part of No Face Performance Group’s ABBOT ADAM series begins with the faintly absurd and moves to the thoroughly absurd.
View More ABBOT ADAM: NONE (No Face/ FringeArts): What does it all mean?A Night With Tom Stoppard: The playwright visits the Wilma to talk about his latest play
Tom Stoppard talks THE HARD PROBLEM with cognitive scientist David Chalmers.
View More A Night With Tom Stoppard: The playwright visits the Wilma to talk about his latest playA KNEE THAT CAN BEND (Orbiter 3): Love and life in a hot country
In Africa as elsewhere, for queers as for everyone, life plays out messily in small tragedies and little loves.
View More A KNEE THAT CAN BEND (Orbiter 3): Love and life in a hot countryHANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindness
A world-premiere stage adaptation of Mary Mapes Dodge’s 19th-century children’s story delivers a clear message about the importance of kindness and understanding.
View More HANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindnessLOVE’S LABOUR’S LOST (CTC): A post-modern musical adaptation of Shakespeare’s classic rom-com
An updated musical adaptation of Shakespeare’s classic rom-com brings current import to the battle of the sexes and coming of age in post-modern times.
View More LOVE’S LABOUR’S LOST (CTC): A post-modern musical adaptation of Shakespeare’s classic rom-com“No Irish Wake is considered a success without one mighty, knockdown, knockout fight!”: Interview with LAFFERTY’S WAKE playwright Susan Turlish
Part one of the first-ever interview with Susan Turlish, playwright of Society Hill Playhouse’s smash hit LAFFERTY’S WAKE
View More “No Irish Wake is considered a success without one mighty, knockdown, knockout fight!”: Interview with LAFFERTY’S WAKE playwright Susan TurlishTHIS IS THE WEEK THAT IS (1812): The tenth anniversary of an annual favorite
This year’s installment of the annual politically-incorrect political comedy skewers the presidential candidates and brings some welcome laughs to a troubled week
View More THIS IS THE WEEK THAT IS (1812): The tenth anniversary of an annual favoriteBASKERVILLE: A SHERLOCK HOLMES MYSTERY (PTC): A wacky spoof on a classic novel
An entertaining spoof of Sir Arthur Conan Doyle’s Victorian classic injects humor and surprises into the well-known mystery.
View More BASKERVILLE: A SHERLOCK HOLMES MYSTERY (PTC): A wacky spoof on a classic novelLAFFERTY’S WAKE (Society Hill Playhouse): Putting the fun in funeral
The LAFFERTY’S WAKE ensemble is quick and amiable in Susan Turlish’s gentle comic story,
View More LAFFERTY’S WAKE (Society Hill Playhouse): Putting the fun in funeralOF MICE AND MEN (Stagecrafters): Tell me about the Great Depression
Based on the classic, insightful novel by John Steinbeck, the play delves into the hardship of two migrant workers during the Great Depression and a time when each man was for himself and there was little forgiveness.
View More OF MICE AND MEN (Stagecrafters): Tell me about the Great DepressionTHE SECOND MRS. WILSON (George Street); Behind every great man
Joe DiPietro’s thought-provoking piece is set in Woodrow Wilson’s second term, but it rekindles a period in the mid-20th century of sweeping biographical plays about historical figures.
View More THE SECOND MRS. WILSON (George Street); Behind every great man