Some jokes with your beer?
View More BYE BYE LIVER (Happy Hour Live): 2016 Fringe review 67
Category: Theater
The best source for independent coverage of Philadelphia theater.
SAY NO MORE (Wild Plum Productions): 2016 Fringe review 66
Wild Plum Production’s reimagining of Strindberg’s The Stronger. Review with sketches by Chuck Schultz.
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Fringe in Sketch: ANTIHERO
Comic book nerds turn vigilante against the Philadelphia Parking Authority in Tribe of Fools’ ANTIHERO.
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DOUBT, A PARABLE (Way Off Broad St. Theater Company): 2016 Fringe review 64
Way Off Broad St. Theater Company justify the festival inclusion of this modern classic with a site-specific setting in a chapel of the Arch Street United Methodist Church and a solid take on an excellent play.
View More DOUBT, A PARABLE (Way Off Broad St. Theater Company): 2016 Fringe review 64
MILLENNIA (Brad Ogden): 2016 Fringe review 63
Millennia is funny, ambitious, and a little bit confused—just like millennials.
View More MILLENNIA (Brad Ogden): 2016 Fringe review 63
Fringe in Sketch: SHADOW HOUSE
SHADOW HOUSE was an impressive immersive piece
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THE LONG TIDES (Nicole Quenelle): 2016 Fringe review 62
The layering of story elements, occasional improv, and comedic repetition accompanied with robust sound design breathes life into each new scene
View More THE LONG TIDES (Nicole Quenelle): 2016 Fringe review 62
BATHING IN MOONLIGHT (McCarter): In the pale moonlight
While Nilo Cruz broaches some interesting subjects and often provides his characters with profound things to say, his world premiere play never takes off dramatically.
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BODAS DE SANGRE (The Duende Cycle): 2016 Fringe review 61
Three years before his assassination during the Spanish civil war, Federico Garcia Lorca elaborated his theory of duende at the Argentinian premier of BODAS DE…
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International Fringe 2016: A welcome to theater from around the world, including refugees
The International Philly Fringe: A welcome to 28 countries
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DUTCH MASTERS (AMH Productions): 2016 Fringe review 60
AMH Productions finds the humor and poignancy in Keller’s quietly affecting consideration of race, class, and human connection
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CATCH TAKES BOK (Catch and Thirdbird): 2016 Fringe review 59
Brooklyn’s CATCH is a showcase for experimental artists in all genres—The Ed Sullivan Show on acid.
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BILLOSOPHY: LIFE, CIRCUS, DEATH (Bill Forchion): 2016 Fringe review 58
A one-hour existentialist monologue filled with expressive movement, colorful costumes, funny props, apropos music, and audience participation
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THE CHURCH BELLS ALL WERE BROKEN (Casabuena Cultural Productions): 2016 Fringe review 54
“God hates fags!”, “God hates you!”, “God hates porcupines!” It’s cathartic to hear the argument yelled back at the haters who so recently visited Philadelphia: “God is love!”
View More THE CHURCH BELLS ALL WERE BROKEN (Casabuena Cultural Productions): 2016 Fringe review 54
Fringe in Sketch: DROWNING OPHELIA
I was especially drawn to the costumes, the charming quality in the men from different time periods, and the seemingly girl into woman hood plot.
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BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
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SILKEN VEILS (Pantea Productions): 2016 Fringe review 52
They recite Rumi, the poet champion of romantic love, and remind Darya how beautiful and painful love can be.
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THE BRIDGES OF MADISON COUNTY (Media Theatre): Atmospherically moody production
Loveliness and tenderness that breaks through the surface coldness are the hallmarks of the Media’s production of this delicate but sweepingly romantic musical.
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AN OBVIOUSLY FOGGOT (Poison Apple Initiative): 2016 Fringe review 50
Sometimes brutal, but always on point, AN OBVIOUSLY FOGGOT is the explosive, vibrant queer play we’ve been waiting for in this year’s festival.
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EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49
A place where acrobatics meets theater, the theater meets the circus, and circus meets blue grass
View More EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49