Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
View More WAITING FOR GODOT (Curio): Highlighting the hilarity of Beckett’s classicCategory: Theater
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Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016
Neal Zoren chose his favorite productions, directors, and actors from the last year.
View More Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016Theater in Sketch: THE ENCHANTED (IRC) and A DOLL’S HOUSE (Swarthmore)
Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.
View More Theater in Sketch: THE ENCHANTED (IRC) and A DOLL’S HOUSE (Swarthmore)SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor
Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare
View More SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange AttractorTHE ENCHANTED (IRC): a great revival speaks to our times
Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.
View More THE ENCHANTED (IRC): a great revival speaks to our timesSEAGULL (EgoPo): A comedy of torn hearts and thwarted dreams
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
View More SEAGULL (EgoPo): A comedy of torn hearts and thwarted dreamsJOHN (Arden): Things that haunt
There remains something compelling about ghost stories. Annie Baker’s JOHN demonstrates why: our past haunts just as well as any poltergeist.
View More JOHN (Arden): Things that hauntROMEO & JULIET (Media): A Rose of any other name
The lights show a bare stage; the set is two dilapidated buildings with scaffolding. The curtains intermittently change from day to night with a transient…
View More ROMEO & JULIET (Media): A Rose of any other namePhiladelphia Theater Calendar February 2017
What’s on stage this month in Philadelphia?
View More Philadelphia Theater Calendar February 2017LAUGHTER ON THE 23RD FLOOR (Walnut): Funny, morbid, timely, and of a time
Theatergoers who long for the good ol’ days of pre-political correctness will love it. Everyone else, just enjoy the ride.
View More LAUGHTER ON THE 23RD FLOOR (Walnut): Funny, morbid, timely, and of a timeTwo by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
View More Two by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)HAMLET (Bedlam Theater Company): “Shakespeare’s most underrated comedy” is at McCarter in Princeton
Bedlam’s imagination and the energy of their acting make their production stand out.
View More HAMLET (Bedlam Theater Company): “Shakespeare’s most underrated comedy” is at McCarter in PrincetonDance in Sketch: DOUG VARONE AND DANCERS (NextMove)
oug Varone and Dancers presented three different dances
View More Dance in Sketch: DOUG VARONE AND DANCERS (NextMove)Matt and Matt: A conversation with one-man comedy duo Matt Holmes
In Matt&, Philly improv comedian Matt Holmes performs with an audience member. The show runs every month at 7pm on the fourth Thursday of the month at the new Good Good Comedy Theatre.
View More Matt and Matt: A conversation with one-man comedy duo Matt HolmesCONSTELLATIONS (Wilma): Love in the multiverse
“We have all the time we ever had.”
View More CONSTELLATIONS (Wilma): Love in the multiverseINFORMED CONSENT (Lantern): A strange kind of ethics
The play has a compelling point to make about the diversity of truth and mutual respect, but in the end, it’s difficult to take the argument seriously.
View More INFORMED CONSENT (Lantern): A strange kind of ethicsAND THEN THERE WERE NONE (Allens Lane): This production of Agatha Christie’s classic stays close to the original
The real horror of Christie’s original ending sits in discord with the show’s campy beginning.
View More AND THEN THERE WERE NONE (Allens Lane): This production of Agatha Christie’s classic stays close to the originalLIZZIE (11th Hour): Lizzie Borden took an axe
This is what “stifled rage” sounds like. Not so stifled, but certainly enraged.
View More LIZZIE (11th Hour): Lizzie Borden took an axeTheater in Sketch: Chris Davis in ONE-MAN APOCALYPSE NOW
The setting is Vietnam and we are just waking up at the voice of Martin Sheen.
View More Theater in Sketch: Chris Davis in ONE-MAN APOCALYPSE NOWTheater in Sketch: ENTER LAUGHING (Players Club of Swarthmore)
This meta-play within a play is clever and ridiculous.
View More Theater in Sketch: ENTER LAUGHING (Players Club of Swarthmore)