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Category: Theater

The best source for independent coverage of Philadelphia theater.

Reviews Theater

[NYC] MOURNING BECOMES ELECTRA (Target Margin Theater): Getting closer to O’Neill

Jessica Foley May 10, 2017 No Comments

I feel like I know the value of experimental theater thanks to the folks at Target Margin.

View More [NYC] MOURNING BECOMES ELECTRA (Target Margin Theater): Getting closer to O’Neill
Reviews Theater

THE WHITE DEVIL (PAC): A bloody good thriller

Christopher Munden May 8, 2017 No Comments

PAC gives the Jacobin the veneer of a mid-20th century hard-boiler. Sketches by Chuck Schultz.

View More THE WHITE DEVIL (PAC): A bloody good thriller
Reviews Theater

THE MASSIVE TRAGEDY OF MADAME BOVARY (Curio): Not your high school English class

Julie Zeglen May 8, 2017 No Comments

A meta take on Flaubert’s classic.

View More THE MASSIVE TRAGEDY OF MADAME BOVARY (Curio): Not your high school English class
Reviews Theater

WHITE (Theatre Horizon): Representation matters

Cameron Kelsall May 8, 2017 2 Comments

Playwright James Ijames offers a searing examination of the commodification of black experience.

View More WHITE (Theatre Horizon): Representation matters
Features Interviews Theater

Anthony Heald in GYPSY: Journeyman actor makes his way to Philadelphia

Cameron Kelsall May 5, 2017 1 Comment

In a casting coup, Anthony Heald has come to Philadelphia to play Herbie in GYPSY at Arden Theatre.

View More Anthony Heald in GYPSY: Journeyman actor makes his way to Philadelphia
Features Interviews Theater

Let’s Dance: Talking DIRTY DANCING with star Jennifer Mealani Jones

Debra Danese May 4, 2017 No Comments

DIRTY DANCING returns to Philadelphia this month with several new new cast leads, including Jennifer Mealani Jones in the role of Penny Johnson

View More Let’s Dance: Talking DIRTY DANCING with star Jennifer Mealani Jones
Reviews Theater

SWALLOW (Inis Nua): This Scottish play is a spot on reflection of America right now

Jessica Foley May 4, 2017 No Comments

A visceral, exquisitely written, three-person anxiety attack

View More SWALLOW (Inis Nua): This Scottish play is a spot on reflection of America right now
Features Theater

Fringe in Sketch: SCRATCH NIGHT (FringeArts)

Chuck Schultz May 2, 2017 No Comments

At SCRATCH NIGHT, the change from one artist to another is exciting.

View More Fringe in Sketch: SCRATCH NIGHT (FringeArts)
Features Interviews Theater

Many Happy Returns: Trey Lyford wishes you HAPPY BIRTHDAY (1812 Productions)

Tyler Melchior May 2, 2017 No Comments

Three married couples in a romp about infidelity who all have years of stage work and accolades to their names.

View More Many Happy Returns: Trey Lyford wishes you HAPPY BIRTHDAY (1812 Productions)
Philadelphia theater calendar
calendar Theater

Philadelphia Theater Calendar May 2017

Calendar May 1, 2017 No Comments

What’s onstage in Philadelphia this month?

View More Philadelphia Theater Calendar May 2017
Features Interviews Theater

Marriages of Figaro: Opera Philadelphia stars are partners on and off stage

Cameron Kelsall April 24, 2017 No Comments

Layla Claire and John Chest appear as Mozart’s unhappily married Count and Countess weeks before their own nuptials.

View More Marriages of Figaro: Opera Philadelphia stars are partners on and off stage
60-Second Review Reviews Theater

THE PRISONER OF ZENDA (Hedgerow Theatre): 60-second review

Cameron Kelsall April 23, 2017 No Comments

A sense of familiarity permeates THE PRISONER OF ZENDA, Matt Tallman’s adaptation of Anthony Hope’s novel of intrigue, adventure, and mistaken identity

View More THE PRISONER OF ZENDA (Hedgerow Theatre): 60-second review
Features Interviews Theater

Stef Smith and SWALLOW: A word with the Scots playwright of Inis Nua’s new production

Smalley Bogg April 23, 2017 No Comments

We checked in with Stef Smith to find out how she approaches her work.

View More Stef Smith and SWALLOW: A word with the Scots playwright of Inis Nua’s new production
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Features Theater

How should Philadelphia Theatre Company rebrand itself?

Cameron Kelsall April 23, 2017 1 Comment

Cameron Kelsall has some ideas for the new executive director.

View More How should Philadelphia Theatre Company rebrand itself?
Reviews Theater

PARROT TALK (Julius Ferraro): Like a sound wave begging to be heard

Julia Taus April 21, 2017 No Comments

PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.

View More PARROT TALK (Julius Ferraro): Like a sound wave begging to be heard
Features Theater

G-chatting the Gift of Life: Talking POLLYANNA with Katherine Perry and Sarah Knittel

Christopher Munden April 21, 2017 No Comments

Phindie met Katherine and Sarah online to get the lowdown on their collaborative project

View More G-chatting the Gift of Life: Talking POLLYANNA with Katherine Perry and Sarah Knittel
Reviews Theater

HEDWIG AND THE ANGRY INCH (Forrest Theater): She’s coming for you

Toby Zinman April 20, 2017 No Comments

They dusted off the rarely used Forrest Theater for this touring production of Hedwig and the Angry Inch, a twenty-year-old rock musical which was itself recently dusted off for a 2014 Broadway revival.

View More HEDWIG AND THE ANGRY INCH (Forrest Theater): She’s coming for you
light pricess arden theatre image
Reviews Theater

THE LIGHT PRINCESS (Arden): An elixir of make-believe

Jessica Foley April 18, 2017 No Comments

The Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe

View More THE LIGHT PRINCESS (Arden): An elixir of make-believe
Features Reviews Theater

Dance in Sketch: Faye Driscoll’s THANK YOU FOR COMING: PLAY (FringeArts)

Chuck Schultz April 18, 2017 No Comments

The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.

View More Dance in Sketch: Faye Driscoll’s THANK YOU FOR COMING: PLAY (FringeArts)
Features Theater

“New York-caliber actors”: How NYC-centrism hurts regional theater

Cameron Kelsall April 17, 2017 18 Comments

A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York

View More “New York-caliber actors”: How NYC-centrism hurts regional theater

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