Ken Ludwig brings four of the outstanding characters from Lend Me A Tenor from Cleveland to Paris for more rollicking escapades.
View More A COMEDY OF TENORS (McCarter): More adventures in operaCategory: Reviews
ANTIGONE (Wilma): Spectacular, but a spectacular failure
The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.
View More ANTIGONE (Wilma): Spectacular, but a spectacular failureSHIPWRECKED! (Walnut): A delight of theater
SHIPWRECKED! goes to the heart of storytelling. It doesn’t matter whether a tale is true or false as long as it engages and even thrills.
View More SHIPWRECKED! (Walnut): A delight of theaterALTAR CALL (Melissa McBain): “Theologically speaking, have you ever considered going to hell?”
ALTAR CALL begins and ends with hymns, not only setting the mood but, through carefully chosen songs, it sends out thought-provoking messages
View More ALTAR CALL (Melissa McBain): “Theologically speaking, have you ever considered going to hell?”COMPLEXIONS CONTEMPORARY BALLET (Dance Affiliates): Spectacular opening of company’s BEYOND 20 campaign
As an opening performance of the NextMove series by Dance Affiliates at the Prince Theater, Complexions Contemporary Ballet showcases four premieres-three world premiers and one…
View More COMPLEXIONS CONTEMPORARY BALLET (Dance Affiliates): Spectacular opening of company’s BEYOND 20 campaignHOOKED (Inis Nua): A pub play in a pub
Entertaining for anyone looking for a fun and a little different night at the pub, or just an excuse to spend the night at the pub.
View More HOOKED (Inis Nua): A pub play in a pubBUS STOP (BRT): A place of isolation
All of the individual stories the wayfarers tell in William Inge’s BUS STOP come through clearly in Susan D. Atkinson’s production of the ’50s classic at Bristol Riverside Theatre.
View More BUS STOP (BRT): A place of isolationTHE CHILDREN’S HOUR (EgoPo): A superbly acted historical anecdote
EgoPo Classic Theater continues its foray into classics of American drama with a focus on female playwrights.
View More THE CHILDREN’S HOUR (EgoPo): A superbly acted historical anecdoteHolden (George + Co.): Violence in the 21st
In George + Co.’s HOLDEN, J. D. Salinger hasn’t published another book since two assassins blamed his The Catcher in the Rye for their own acts of violence.
View More Holden (George + Co.): Violence in the 21stTAPPIN’ THRU LIFE (DTC): A Las Vegas lounge life
A revue, and review, of performer Maurice Hines’s life.
View More TAPPIN’ THRU LIFE (DTC): A Las Vegas lounge lifeMETAMORPHOSES (Arden): A swim with the gods
This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.
View More METAMORPHOSES (Arden): A swim with the godsCLOSER (Eagle): Words are not enough
Patrick Marber is a master of words. But in this production words, well composed as they are, are not enough.
View More CLOSER (Eagle): Words are not enoughROMEO AND JULIET (Quintessence): What fray was here?
In the eyes of director Alexander Burns this doomed romance never stood a chance.
View More ROMEO AND JULIET (Quintessence): What fray was here?GYPSY (Media Theatre): Everything’s coming up roses
GYPSY is an often produced classic for good reason and is terrific as Mama Rose in the Media Theatre’s production.
View More GYPSY (Media Theatre): Everything’s coming up rosesV TO X (GoKash): Truth behind bars
This world premiere play takes a deeply affecting look at the social carnage caused by mass imprisonment.
View More V TO X (GoKash): Truth behind barsBULLSHOT CRUMMOND (Hedgerow): On-target farce
Mark Tallman’s brisk, amiable production moves easily between farcical comedy and intuitive and intelligent theater.
View More BULLSHOT CRUMMOND (Hedgerow): On-target farceGOD OF CARNAGE (Montgomery Theater): A rich unraveling
Civilization is not easy to maintain. One knock and the lapse of a moment can set it off kilter.
View More GOD OF CARNAGE (Montgomery Theater): A rich unravelingLA TRAVIATA (Opera Philadelphia): A stunning new design and a stellar new Violetta
A refreshed rendition of Verdi’s tragic opera features the impressive house and role debut of Lisette Oropesa as the titular “fallen woman” and a stunning design that purposefully pairs the distant past with recent times.
View More LA TRAVIATA (Opera Philadelphia): A stunning new design and a stellar new ViolettaHIGH SOCIETY (Walnut): A curious Philadelphia Story
A curiously performed version of Arthur Kopit’s unnecessary rearranging and cheapening of The Philadelphia Story.
View More HIGH SOCIETY (Walnut): A curious Philadelphia StoryBABY DOLL (McCarter): Not a girl, not yet a woman
In Tennessee Williams’s script for 27 Wagons Full of Cotton and the 1956 screenplay that derives from it, Baby Doll, everybody puts Baby in a corner.
View More BABY DOLL (McCarter): Not a girl, not yet a woman