They are some of the oldest and most widely known stories in the books. They are stories of migrations, grueling journeys, and burning destinies. They are about…
View More [64] MOSES(ES) (Reggie Wilson/Fist & Heel Performance Group): Fringe ReviewAuthor: L. Haber
L. Haber is an Associate Editor at Elauwit Media, in Haddonfield, New Jersey. She is the 2012 winner of the WragsInk poetry contest, a former intern for Philebrity.com, and keeper of the personal blog lahaland.tumblr.com. If you are interested in working with L. Haber, learning her first name, or meeting her Saint Bernard, she can be contacted at lahab5@gmail.com.
[58] OUT OF TIME (Colin Dunne): Fringe review
Dim lighting, old motion clips, tap shoes, broad sounds, and internationally acclaimed Colin Dunne in the flesh, calling Irish dance “exhibitionistic”: these elements and more…
View More [58] OUT OF TIME (Colin Dunne): Fringe review[45] ON THE CONCEPT OF THE FACE REGARDING THE SON OF GOD (Societas Raffaello Sanzio): Fringe review
Life involves shit and gets messy. Life is anguish and suffering. Life is also care, love, frustration, solace, and release. Life is not easy for…
View More [45] ON THE CONCEPT OF THE FACE REGARDING THE SON OF GOD (Societas Raffaello Sanzio): Fringe review[37] ALL THE SEX I’VE EVER HAD (Mammalian Diving Reflex): Fringe review
At Plays & Players, a serene air of sophistication, and a soothing nostalgia of productions past blanket the crowd of the fully seated theater. The…
View More [37] ALL THE SEX I’VE EVER HAD (Mammalian Diving Reflex): Fringe review[34] WHERE (WE) LIVE (So Percussion): Fringe review
Like vague early childhood memories of “home”, the eight players of WHERE (WE) LIVE assemble without an introduction, scattering to spaces cluttered with objects, lights,…
View More [34] WHERE (WE) LIVE (So Percussion): Fringe review