William Zielinski

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IDEATION (Theatre Exile): How to succeed in business

The sterile corporate-speak of modern business pervades Aaron Loeb’s darkly comic contemporary play

Philadelphia Theatre Company Hand of God review

HAND TO GOD (PTC): The human comedy with sock puppets

What a funny, nasty, smart show.

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HENRY V (PA Shakespeare): The king is but a man

While HENRY V contains two of Shakespeare’s most stirring speeches, smaller, less rhetorical moments are the more engrossing in Matt Pfeiffer’s staging for Pennsylvania Shakespeare Festival

William Zielinski and Kevin Bergen in ROW AFTER ROW at People’s Light (Photo credit: Mark Garvin)

ROW AFTER ROW (People’s Light): Finding the courage to fight and to heal

Local-born playwright Jessica Dickey considers the humor and heartache of mustering the courage to fight in an insightful comedy about three Civil War re-enactors.

Alex Keiper and William Zielinski in DOWN PAST PASSYUNK. Photo by Kathryn Raines.

DOWN PAST PASSYUNK (InterAct): Theater ‘wit’ a taste of South Philly

I once heard then-governor Ed Rendell give some cheesesteak advice: for the real deal don’t go to one of the big name line-around-the-block places, go to a food truck or your local deli and get one made-to-order. I was thinking about this truism and our prevailing infatuation with authenticity as I watched A. Zell Williams’s world premiere production of DOWN PAST PASSYUNK at InterAct Theatre.

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Bleak Complexity: SPEAKING IN TONGUES at the Walnut’s Independence on 3

As SPEAKING IN TONGUES opens, two couples are about to cheat on their partners. Their dialog develops in unison; each pairing uttering the same lines. Sonia/Jane: Tell me about your…

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LIEUTENANT OF INISHMORE by Theatre Exile at Plays and Players

Playwright Martin McDonagh delivers a powerful political message in the most palatable of pills

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Theatre Exile’s "Shining City" at Plays and Players

The past year has seen some great stagings by Irish playwright Colin McPherson in Philadelphia. The Arden’s brilliant Seafarer was followed by a stripped down performance of The Weir by…