A dramatization of the Freudian tripartite adapted to contemporary ideals, where a placid, self-realizing id advocates for complete acceptance of the self and indulgence in sexual urges
The Iron Factory
An appealing evening of solo performances, Patchworks provided fresh evidence of how working collaboratively can produce dances that showcase the individuality of the dancers.
Myra Bazell, a much-loved teacher of dance, and Jane Gotch first met fifteen years ago when Gotch had to scratch together enough change to take Bazell’s popular modern class. The good-vibe feeling between these two choreographers was evident as Bazell explained to the audience of about thirty on a (thankfully) not-too-hot June evening that the Iron Factory was a positive venue for this reunion.
Published by The DANCE Journal, republished by kind permission. In addition to the festival’s annual selection of Presented Fringe performances by internationally renowned contemporary artists and stars of Philadelphia’s stages, this year’s…