This is an opera about monsters—the Frankenstein of the title, a monster we know well from films if not from literature, and the ways in which people become monsters.
The compelling two-act opus captures the historic characters, events, and mood with passion and clarity.
Phindie will provide more Philly Fringe Festival coverage than any publication in the world! Coverage begins with 15 picks from star Phindie writer Deb Miller.
An original chamber opera by the exciting young Philadelphia Opera Collective, OPERA MACABRE—which fittingly opened on Friday the 13th!—captures all the hair-raising suspense and psychological disturbance of Edgar Allan Poe’s…
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An ALL-Black OTHELLO: Director Ozzie Jones talks about his “gloriously liberating” casting for Theatre in the X, part 2 In part two of our interview with Ozzie Jones, the director talks about his decision to cast an ALL-black OTHELLO. 
Dance in Sketch: AT HOME WITH THE HUMORLESS BASTARD "Is this a dance performance or a social experiment?" 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
Talking Sex, Substance, and SUSPENDED with Brian Sanders Perennial Fringe favorite Brian Sanders and his dare-devil dance company JUNK have created a provocative new offering for this year’s Fe... 
“IT ONLY GETS HARDER”: Randy Swartz on the dance scene in economically strapped times Henrik Eger talked to the founder of Dance Affiliates about the inner workings of the international dance scene in these more economically s... 
Zornitsa Stoyanova asks us to consider the female body as embodiment of generations of ancestral procreation, a host for the alien parasites of new generations, and—through a glass, darkly—as a sexual object. more…
