Peter Bisgaier

Daniel Barland in BROKEN STONES at InterAct Theatre. Photo by Kathryn Raines

BROKEN STONES (InterAct): Searching through the meta rubble

What better theatrical vehicle for cynicism than “meta”: how many ways can the playwright fool an audience?

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BRIGHTON BEACH MEMOIRS (Act II Playhouse): The same old schtick

A play for people who need to be told how to feel.

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FOX ON THE FAIRWAY (Act II): Camaraderie of a club

No golf interest? No problem. This show has tongue-in-cheek humor, love, competition, and the danger of the unexpected.