What better theatrical vehicle for cynicism than “meta”: how many ways can the playwright fool an audience?
A play for people who need to be told how to feel.
No golf interest? No problem. This show has tongue-in-cheek humor, love, competition, and the danger of the unexpected.
Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia The issue of diversity in theater (and in the... 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
Wonderetter: Rebecca Robbins on the Walnut’s holiday show Interview with the star of Winter Wondrettes at Walnut Street Theatre. 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. Support Phindie operations
Tina Brock and company make Ionesco’s absurd SOPRANO sing. more…
