Thomas Heywood’s ridiculous rip-roaring romantic romp across the high seas of the English Renaissance is the latest in the Philadelphia Artists’ Collective’s acclaimed productions of rarely seen classics.
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
Award-winning choreographer and artistic director Christopher Fleming has created a beautiful program of new works to open BalletFleming’s 2014-15 season.
Vaudeville, bouffon, and circus meet progressive rock in BRAT Productions’ ensemble-devised cabaret performance ALWAYS COMING SOON: THE FUTURE. It’s a compelling combination that entertains, mocks, and provokes through BRAT’s signature high-energy music, intriguing visual design, and dynamic physical theater which begins the moment you enter the venue as aggressive carnival buskers hawk popcorn, drinks, and breaths of fresh air to the incoming audience.
When Hans, a handsome but not-so-smart knight-errant of Wittenstein, meets the unbridled naiad Ondine at a fisherman’s cottage in the woods, they fall recklessly in love and marry—a union that…
New City Stage Company’s Philadelphia premiere of FROST/NIXON is anything but the dry historical debate you might expect. Under Aaron Cromie’s brilliant direction, playwright Peter Morgan’s story of the series of TV interviews conducted by faltering British talk-show host David Frost in 1977 with disgraced US President Richard Nixon is a painfully tense and surprisingly humorous cat-and-mouse game.
Director Ginger Dayle and sound and video designer Ren Manley intersperse audio and visuals from the 1960s in New City Stage Company’s RFK, complementing Widdall’s powerful performance with a great soundtrack and contextualizing video clips. Following pre-show newsreels from JFK’s assassination, the play begins in 1964—eight months after the fateful day in Dallas.