PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.
Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.
The messiness in Rachel Gluck’s debut play is what make it most lifelike. In the end, what are any of us but destructive dualities, fighting between our desires and our own self-interest?