“I am simply here to dance,” says Faustin Linyekula.
Brett Mapp knows his Fringe. His itinerary would be a good starting point for anyone considering what to see.
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Yo Philly, No More Safe Bullshit Excerpted from gchat conversations between Christopher Munden and John Rosenberg. 
VILLAIN (Jon & Marissa Edelman/PHIT): 2018 Fringe review A telling tale of what it means to be an immigrant in the U.S. today 
Code of Practice for Theater Critics the Code of Practice for the International Association of Theatre Critics 
THE PRESENTED (Chris Davis): 2018 Fringe review Chris Davis has come into his own as an exuberant and irresistible Rumpelstiltskin who spins his own life’s straw into gold. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
Nell Bang-Jensen has drive. She’s a high octane, finely tuned machine of fully loaded artistic talent. And other motoring metaphors. more…
