NOTES OF A NATIVE SONG (Stew and Heidi Rodewald): 2016 Fringe review 9
“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black man up front at a…
K.J. Hardy
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KUN-YANG LIN/DANCERS (NextMove Dance): A dance company with a philosophy Experiencing Kun-Yang Lin/Dancers, you may come to feel and understand what yin and yang means. 
A Curious Role: Austin Nedrow on playing Christopher in THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME A dog, a mystery and a curious mind! Austin Nedrow steps into the inquisitive mind of Christopher in The Curious Incident of the Dog in the ... 
GISELLE (PA Ballet): A ballet of true love Angel Corella's restaging preserves the tradition of the classic ballet and manifests true love onstage. 
“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger One of Germany’s most popular singers launches his North American tour this week. 
LAUGHTER ON THE 23RD FLOOR (Walnut): Funny, morbid, timely, and of a time Theatergoers who long for the good ol’ days of pre-political correctness will love it. Everyone else, just enjoy the ride.
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From the archives…
FISH & BEAUREGARD (Viscosity Theatre): 2015 Fringe review 27
A shy boy, his pet fish, and an outgoing girl teach us that allowing ourselves to be vulnerable is important, no matter how old we are. more…
