NOTES OF A NATIVE SONG (Stew and Heidi Rodewald): 2016 Fringe review 9
“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black man up front at a…
K.J. Hardy
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ROMEO AND JULIET (Wilma): Wherefore do Romeo and Juliet? How do you do fellow kids? 
Revisiting Pinter’s BETRAYAL: A commentary An attempt to detangle this nine-scene play that’s designed to move backwards 
Getting to Know Tina Brock John Rosenberg brings his series of long-form interviews to Phindie with IRC director Tina Brock. 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson.
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From the archives…
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement. more…
