THE BORDER delivers on all the essential aspects of Scandinavian life: there’s dry humor, a self-deprecating take on one’s life and, of course, melancholic dance music.
Jo Strømgren Kompani
You would be excused for not understanding exactly what is going on in THERE: the dialog is all in a Russianish nonsense language
This scintillating exploration of the territorial tensions between a man and a woman takes us beyond the cubicle walls to the dynamic boundaries of human relations.
Here’s the latest sampling of Fringe shows, performances, playwrights, and artists from around the world, now grown to 18 countries.
Jo Strømgren Kompani boldly promise to deliver the essence of the celebrated play despite making ambitious changes to it.
This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character.
This year’s festival presents over 30 dance events by newcomers and favorites. Dance writer Lew Whittington previews some highlights.
Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival
This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.
Let’s be real: Most theater we see these days is at least a little bit pretentious. The very nature of theater is based in pretense. We are asked to believe…
This outrageous frolic with a ridiculous premise begins in the meeting room of a quiet, conservative French coffee society. Everything is ordered and in its place. But when—horrors!—a used tea bag…