KING JOHN (Revolution Shakespeare): 2016 Fringe review 88
You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
James A. Reilly
International Fringe 2016: A welcome to theater from around the world, including refugees
The International Philly Fringe: A welcome to 28 countries
A FREE MAN OF COLOR (Temple): Outrageous but haphazard vaudeville
John Guare’s play about race relations in early 19th century New Orleans is sprawling and convoluted under the best of circumstances.
