James A. Reilly

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KING JOHN (Revolution Shakespeare): 2016 Fringe review 88

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

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A FREE MAN OF COLOR (Temple): Outrageous but haphazard vaudeville

John Guare’s play about race relations in early 19th century New Orleans is sprawling and convoluted under the best of circumstances.