As Lear, Robert Jason Jackson is “every inch a king.View More KING LEAR (Quintessence): England at his feet
CAMELOT is the example of a group of talent working together to create an amazing experience for the audience.View More CAMELOT (Act II Playhouse): 60-second review
Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.View More THE BROKEN HEART (Quintessence): Dark matter
Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!View More ADAPT! (Wilma): On the brink of dawn
A remarkably original and gloriously entertaining version of the Marlowe play.View More DOCTOR FAUSTUS (Quintessence): If you want to know everything, go to hell
In the eyes of director Alexander Burns this doomed romance never stood a chance.View More ROMEO AND JULIET (Quintessence): What fray was here?
Burns and his cast humanize Shakespeare’s characters and provide a smart, jolly time that is tinged with genuine sentiment.View More AS YOU LIKE IT (Quintessence): Do you not know I am a woman?