Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
Leila and Pantea Productions creates art that engages audiences in new ways.
An inventive and terrifying take on a classic ghost story
THE LONG TIDES weaves clown, movement, audience participation and narrative in a poignant audit of how we spend our minutes.
Old Friends and Frequent Collaborators Get HOOKED! An interview with Tom Reing and Charlie DelMarcelle
Director Tom Reing and actor Charlie DelMarcelle talk about their childhood, their collaborations, and Inis Nua’s upcoming production of HOOKED!
LONG LIVE THE LITTLE KNIFE (Inis Nua): A delightfully duplicitous foray into the art(s) of deception
What do art forgers and the theater have in common? Both try to convince you that something is real when it’s not, and both do it with the expectation of…
In a time-bending script that requires each of the actors to play multiple roles across the last century or so, “Watson”, played in all his guises by Griffin Stanton-Ameisen, is the force that ties them all together.
A thoroughly entertaining, beautifully staged exploration of trust, love, relationships, entanglement, dependency and technology and intimacy.
WE CAN ALL AGREE TO PRETEND THIS NEVER HAPPENED (Tiny Dynamite and InterAct Theatre Company): A Philadelphia world-premiere comedy
Season 4 of Tiny Dynamite’s month-long happy-hour series A Play, A Pie and A Pint concludes with its first commissioned work.
This fall sees Revolution Shakespeare’s first full production: a New Orleans-inspired MACBETH, from October 1-12.
Corinna Burns’ INTERNET STALKER and Chris Davis’ BORTLE 8 is the perfect pairing of “two shows one roof” (not under, but on) in this year’s SoLow Fest. Each writer/performer is…
In this final episode, we talk about people talkin’ ‘bout bodies in West Philly and a double-bill: dark skies and stalkers in South Philly.
This is not a play. Therefore this is not a review, but a warning. If you’re looking to sit in a darkened theater watching actors execute a full-length script start-to-finish,…
n HAMLETMACHINE and MEDEAPLAYS, now in seemless production at the space by The Renegade Company, Müller has reassembled classic texts and plot-points into a dislocating new context.
The story of Euripides’s third place finish in the 431 B.C. Athens Dionysia festival is one to warm the hearts of unsung writers everywhere. The great Greek tragedian finished behind two now-forgotten…