Henrik Eger thought he knew MOBY-DICK until he saw Robert Smythe as Ahab.
Touring Marx in Soho in Britain and the US: Interview with Bob Weick, Celebrating Marx’s 200th Birthday, Part 2
Part 2 of Henrik Eger’s interview with Bob Weick.
“When I step on the stage as Marx, I directly challenge the system”: Interview with Bob Weick, Part 1
Bob Weick has taken Howard Zinn’s MARX IN SOLO all over the U.S. He’s now taking it to England
Marx has returned from heaven to explain his now distorted ideas and ideals to a modern audience.
HAMLET (REV Theatre Company): “For the apparel oft proclaims the man” Fashion-forward styling updates HAMLET
REV Theatre Company creates a powerful rendition of HAMLET through scenery and clothing
Brian Friel the Irish Chekhov.
A great play for history buffs and hibernophiles.
Leonid Andreyev’s classic tale of love and death in the Big Top is given original interludes of circus acts and live music to set the stage and mood.
Even a brief encounter with Allen Radway reveals the intelligence, sympathy, and generosity of spirit evident in his theatrical work. We talk to him ahead of his newest, CCTCs THE TEMPEST.
VOICES is not just provocative; it is full of infectious hope that this time, united, we really will succeed.
Being Howard Zinn: Interview with Bob Weick, who plays the historian in VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)
Henrik Eger interviews Bob Weick, who is taking on the role of the brilliant, if much maligned Howard Zinn in VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES.
“This production gives me the chills”: Interview with John Doyle, director of VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)
Henrik Eger interviews John Doyle about Howard Zinn, history, and theater.
Life doesn’t imitate art as much as combine with it as Baker’s play, and Matthew Decker’s production of it for Theatre Horizon, sneaks up on you and moves you.