Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
This is not a play. Therefore this is not a review, but a warning. If you’re looking to sit in a darkened theater watching actors execute a full-length script start-to-finish,…
Blonde Brief: Sean Thompson stars in LEGALLY BLONDE Sean Thompson returns to the Walnut Street Theatre in the new production of Legally Blonde: The Musical, an adaption of the hit comedy film.... 
Missionary Position: Interview with BOOK OF MORMON star Liam Tobin Broadway veteran Liam Tobin will lead the cast of Book of Mormon as Elder Price when the show returns to Philly this month. 
NIGHTMARE FUEL (Sarah Knittel): 2018 Fringe review A punk-horror Fringe show which engages the audience and keeps the us engaged 
Shakespeare vs Stoppard: Exploring the Wilma’s dream pairing of HAMLET and ROSENCRANTZ AND GUILDENSTERN ARE DEAD Two of the best plays in the English language share most of the same characters and much of the same dialog. The Wilma is doing them in succ... 
Dance, Philly Style: Interview with PHILADANCO founder Joan Myers Brown "If you really look at dance, look at Soul Train. " Support Phindie operations
The Lantern Theater Company’s production of THE BEAUTY QUEEN OF LEENANE completes its presentation of Martin McDonagh’s Leenane Trilogy, following 2007’s THE LONESOME WEST and 2011’s A SKULL IN CONNEMARA. Chronologically the first entry into the trilogy and McDonagh’s first major play, THE BEAUTY QUEEN is not as staunchly original as the playwright’s later works. The plot is archetypal, its developments well-telegraphed and its themes well-worn. more…
