2017 Philadelphia Fringe Festival

FullSizeRender (12)

Fringe in Sketch: HOME (Geoff Sobelle)

Our personal space is our own

waitstaff-labor-of-love-fringe-review

LABOR OF LOVE (The Waitstaff): 2017 Fringe review

Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.

marx2

Fringe in Sketch: MARX IN SOHO (Iron Age)

MARX IN SOLO by Howard Zinn is directed by John Doyle for Iron Age Theatre.

leaps-of-faith-other-mistakes-almanac-fringe-review-2017

LEAPS OF FAITH AND OTHER MISTAKES (Almanac): 2017 Fringe review

A beautiful spectacle, full of humor, sadness, joy and handstands

9B3B2AD0-A014-45EA-A46B-8867AE396761-220-00000006CFCBEE53_tmp
almanac-leaps

LEAPS OF FAITH AND OTHER MISTAKES (Almanac Dance Circus Theatre): 2017 Fringe review

Four seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics

interior

INTERIOR (Leah Stein Dance Company): 2017 Fringe review

Every aspect, element, sound, and movement feels meaningful and intentional

l_675-226

STRANGE TENANTS (Sam Tower + Ensemble): 2017 Fringe review

STRANGE TENANTS is a genre-busting production couched in a classic setting.

Tribe_Of_Fools-review-fishtown

FISHTOWN: A Hipster Noir (Tribe of Fools): 2017 Fringe review

This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.

IMG_6547

HELLO BLACKOUT (New Paradise Labs): 2017 Fringe review

More engrossing, more alienating, and more disciplined than its predecessor.

SHOW ART_Bald Soprano

EUGÈNE IONESCO’S THE BALD SOPRANO (Idiopathic Ridiculopathy Consortium): 2017 Fringe review

  The Bald Soprano always wears her hair in the same style. And The Bald Soprano, written in 1950 by Eugene Ionesco as a “tragedy of language,” is probably the…