Curtis Opera Theatre fails to make the case for LA RONDINE as a neglected classic.
you fucks are lucky this dude covers shit but if you appreciated him you wouldn’t be phila so fuck chris the brit : An editorial
Chris the Brit is the guy who runs Phindie. Today is his birthday.
Layla Claire and John Chest appear as Mozart’s unhappily married Count and Countess weeks before their own nuptials.
A sense of familiarity permeates THE PRISONER OF ZENDA, Matt Tallman’s adaptation of Anthony Hope’s novel of intrigue, adventure, and mistaken identity
We checked in with Stef Smith to find out how she approaches her work.
Cameron Kelsall has some ideas for the new executive director.
PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.
Phindie met Katherine and Sarah online to get the lowdown on their collaborative project
They dusted off the rarely used Forrest Theater for this touring production of Hedwig and the Angry Inch, a twenty-year-old rock musical which was itself recently dusted off for a 2014 Broadway revival.
A multipart new exhibition project exploring the detective, criminal, and all the analogs in between
The Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe
The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.
A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York
combines the complex questions of humanity, (such as ‘Why am I here?’) with the natural improvisation life requires, and expresses it physically alongside a healthy dose of humor.
Philadelphia’s favorite circus art troupe Tangle Movement Arts was back in Old City’s Neighborhood House on April 7 and 8. Ever-changing and always in search for new ways to broaden…
ROMANCE showcases the diversity and beauty of the Pennsylvania Ballet’s dancers.