What’s onstage in Philadelphia this month?

Curtis Opera Theatre fails to make the case for LA RONDINE as a neglected classic.

Chris the Brit is the guy who runs Phindie. Today is his birthday.

Layla Claire and John Chest appear as Mozart’s unhappily married Count and Countess weeks before their own nuptials.

A sense of familiarity permeates THE PRISONER OF ZENDA, Matt Tallman’s adaptation of Anthony Hope’s novel of intrigue, adventure, and mistaken identity

We checked in with Stef Smith to find out how she approaches her work.

Cameron Kelsall has some ideas for the new executive director.

PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.

Phindie met Katherine and Sarah online to get the lowdown on their collaborative project

In celebration of it’s 47th year, PHILADANCO/The Philadelphia Dance Company presented BLACK STEAM, featuring two new works and two old ones.

They dusted off the rarely used Forrest Theater for this touring production of Hedwig and the Angry Inch, a twenty-year-old rock musical which was itself recently dusted off for a 2014 Broadway revival.

A multipart new exhibition project exploring the detective, criminal, and all the analogs in between

The Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe

The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.

A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York

combines the complex questions of humanity, (such as ‘Why am I here?’) with the natural improvisation life requires, and expresses it physically alongside a healthy dose of humor.

Philadelphia’s favorite circus art troupe Tangle Movement Arts was back in Old City’s Neighborhood House on April 7 and 8. Ever-changing and always in search for new ways to broaden…

The program was quick and accumulative, with short pieces creating a common theme.

ROMANCE showcases the diversity and beauty of the Pennsylvania Ballet’s dancers.

James talked to Phindie about the genesis of WHITE and its development at PlayPenn, a Philadelphia-based organization for the development of new plays.