The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.

Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.

The premiere of composer Scott Ordway’s Nineteen Movements for Unaccompanied Cello took place in the perfect setting – the James Turrell Skyspace in the Chestnut Hill Friends Meeting.

A comedy little known in its native Britain has become a cult favorite in Germany.

V2: Creation Myth follows up and updated the themes from The Vagina Monologues.

Desi Oakley is donning an apron and baking her way across the country as Jenna in the national tour of WAITRESS

Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.

Annenberg Center presented a program of music and theater, with a Beethoven performance by the Daedalus String Quartet and a staged reading by playwright Michael Hollinger

Mark Morris Dance Group and Music Ensemble returns to Philadelphia after 14 years with Dances to American Music,

Nadine Bommer Dance Company’s Invisi’Ball was a participating artist in the 2018 International Performing Arts for Youth showcase in Philadelphia which happened last week.

COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.

Discomfort is the name of the game here, but to what purpose?

Yay! It’s a Philadelphia theater calendar for February 2018.

THE HUMANS is a difficult play to like or to watch

Chuck Schultz sketches BodyVox at the Prince.

A delightful comedy that shows an evening and morning in the lives of four sisters

What’s being satirized in this social satire? Good question, with several answers.

Thom Nickels contemplates revolution after seeing LES MIZ at the Academy

A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.

I suspect that among the reasons COPENHAGEN has been so successful is that it invites us to believe that we are smarter than we actually are