OH MERCY! (orig. “Roubaix, une lumière”) (dir. ARNAUD DESPLECHIN): 2019 Philadelphia Film Festival Review

Suspense is just a side effect to this crime-ridden film that’s not a crime film

THE REPORT (dir. Scott Z. Burns): 2019 Philadelphia Film Festival review

THE (TORTURE) REPORT is captivating start to finish — the audience is expected to keep up with all the timeline and key elements changing the course of the investigation, and…

BY THE GRACE OF GOD (orig. “Grâce à Dieu”) (dir. François Ozon) 2019 Philadelphia Film Festival review

Prepare to be outraged, triggered, maybe cringe a bit, cry a bit, smile a bit, or get up and cheer for justice. At the very least, you’ll grow more empathy…

THERE (Wilma): 2019 Fringe review

THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.

Dance in Sketch: FROM THE FEMININE GAZE (Anne-Marie Mulgrew and Dancers Co)

Review by Chuck Schultz; illustrations by Yumna Tolaimate

PLUNGE (Brian Sanders JUNK): 2018 Fringe review

PLUNGE is yet another fruit of Brian Sanders’ creative genius

GARDENS SPEAK (Tania El Khoury): 2018 Fringe review

GARDENS SPEAK is a metaphysical experience of death and injustice… and a tangible experience of growth and self-expansion.

BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review

Justin is a heartbroken young musician who escapes to his father’s cabin in the middle of nowhere

VOLTA (Cirque du Soleil): A review in word and images

VOLTA is a performance with both visual play and psychological depth.