On a rainy day with nothing better to do, You Should Have Left will prove serviceable enough for non-discerning viewers
View More YOU SHOULD HAVE LEFT (dir. David Koepp): Film review
Author: Dan Scully
Dan Scully is a film buff and humorist living in a tiny apartment in Philadelphia. He hosts the podcast I Like to Movie Movie and is the proud father to twin cactuses named Riggs & Murtaugh. Also, he doesn't really mind when Batman kills people. Follow him on Twitter and Letterboxd.
7500 (dir. Patrick Vollrath): Film review
Taking place entirely within the cockpit of a hijacked commercial airliner, this minimalist performance piece benefits greatly from a high-level of sustained tension.
View More 7500 (dir. Patrick Vollrath): Film review
BABYTEETH (dir. Shannon Murphy): Film review
An A-rate tale of flawed, kindhearted humans doing their best to be as good as they possibly can.
View More BABYTEETH (dir. Shannon Murphy): Film review
SHRED AMERICA (dir. Arthur Swidzinski): Film review
Back in the summer of 2008, a group of skaters decided to go on an adventure.
View More SHRED AMERICA (dir. Arthur Swidzinski): Film review
THE KING OF STATEN ISLAND (dir. Judd Apatow): Film review
A moving tale of a delayed coming of age
View More THE KING OF STATEN ISLAND (dir. Judd Apatow): Film review
THE TRIP TO GREECE (dir. Michael Winterbottom): Film review
While not an unwelcome addition to a now decade-long odyssey of travelers Rob Brydon and Steve Coogan, this final entry feels a bit flatter than its predecessors; a bit perfunctory.
View More THE TRIP TO GREECE (dir. Michael Winterbottom): Film review
THE WRETCHED (dir. Brett Pierce, Drew T. Pierce): Film review
It works so hard to invoke so many influences that it dilutes itself from being as memorable or as effective as it so clearly wants to be.
View More THE WRETCHED (dir. Brett Pierce, Drew T. Pierce): Film review
THE HUNT (dir. Craig Zobel): Film review
Above all dumb political concerns, this is a “humans being hunted” movie, and it’s a pretty good one.
View More THE HUNT (dir. Craig Zobel): Film review
SNATCHERS (dir. Benji Kleiman & Stephen Cedars): Film review
SNATCHERS is the next in a current wave of splatterfests with a social conscience, and it’s a top-tier entry.
View More SNATCHERS (dir. Benji Kleiman & Stephen Cedars): Film review
BIRDS OF PREY (dir. Cathy Yan): Film review
What is it about the world of Batman that enchants me so?
View More BIRDS OF PREY (dir. Cathy Yan): Film review
THE GENTLEMEN (dir. Guy Ritchie): Film review
Ritchie is celebrating a welcome return to form, complete with bullets, Brits, and enough creative uses of the word “cunt” to make your grandmother shake her head in shame
View More THE GENTLEMEN (dir. Guy Ritchie): Film review
CATS (dir. Tom Hooper): A sin against theater, film, cats, and humanity
Maybe one day I’ll be able to scrape its rancid essence from my memory entirely.
View More CATS (dir. Tom Hooper): A sin against theater, film, cats, and humanity
LITTLE JOE (dir. Jessica Hausner): Film review
A high concept, a solid design, and more than a few creepy moments rooted in existential terror, but struggles to fill a feature-length run-time
View More LITTLE JOE (dir. Jessica Hausner): Film review
THE VAST OF NIGHT (dir. Andrew Patterson): 2019 Philadelphia Film Festival review
The more things change, the more they stay the same.
View More THE VAST OF NIGHT (dir. Andrew Patterson): 2019 Philadelphia Film Festival review
BLOW THE MAN DOWN (dir. Bridget Savage Cole + Danielle Krudy): 2019 Philadelphia Film Festival review
An exciting film from a duo of filmmakers who I will surely be watching out for.
View More BLOW THE MAN DOWN (dir. Bridget Savage Cole + Danielle Krudy): 2019 Philadelphia Film Festival review
DOGS DON’T WEAR PANTS (dir. J-P Valkeapää): 2019 Philadelphia Film Festival review
Even those not on board with the film’s themes will be won over by the sensory experience
View More DOGS DON’T WEAR PANTS (dir. J-P Valkeapää): 2019 Philadelphia Film Festival review
THE IRISHMAN (dir. Martin Scorsese): 2019 Philadelphia Film Festival review
A stunningly realized world with an ensemble of legends doing what they do best
View More THE IRISHMAN (dir. Martin Scorsese): 2019 Philadelphia Film Festival review
BACURAU (dir. Kleber Mendonça Filho, Juliano Dornelles): 2019 Philadelphia Film Festival review
If Bacurau is what an international genre film looks like, color me excited, because it’s a great look.
View More BACURAU (dir. Kleber Mendonça Filho, Juliano Dornelles): 2019 Philadelphia Film Festival review
DEERSKIN (dir. Quentin Dupieux): 2019 Philadelphia Film Festival review
There is nobody making films like Quentin Dupieux. The gleefully immature DEERSKIN might be his most mature work yet
View More DEERSKIN (dir. Quentin Dupieux): 2019 Philadelphia Film Festival review
THE LODGE (dir. Severin Flavia + Veronica Franz): 2019 Philadelphia Film Festival review
Appropriately enough, THE LODGE leaves us cold.
View More THE LODGE (dir. Severin Flavia + Veronica Franz): 2019 Philadelphia Film Festival review