In the first drawing you see a little bit of projection worked into the background. The second is an example of the striking shadows that were used to capture the memory of her mother and father. And the third illustration is the emotion and love which flows from Rumi’s poetry.
View More Fringe in Sketch: SILKEN VEILSAuthor: Chuck Schultz
Fringe in Sketch: Albert Camus’ THE JUST
I made it to a performance of Albert Camus’ THE JUST from Übungsflugzeug at Panorama in West Philly. [5213 Grays Avenue] September 9-24, 2016; fringearts.com/albert-camus-just.…
View More Fringe in Sketch: Albert Camus’ THE JUSTFringe in Sketch: FORE-IGN/ FORE-OUT
The movement was very inspiring, and the diversity of the show was all encompassing.
View More Fringe in Sketch: FORE-IGN/ FORE-OUTFringe in Sketch: SHADOW HOUSE
SHADOW HOUSE was an impressive immersive piece
View More Fringe in Sketch: SHADOW HOUSEFringe in Sketch: DROWNING OPHELIA
I was especially drawn to the costumes, the charming quality in the men from different time periods, and the seemingly girl into woman hood plot.
View More Fringe in Sketch: DROWNING OPHELIAFringe in Sketch: ANIMAL FARM TO TABLE
Sketch artist Chuck Shultz chowed down and recorded what he saw.
View More Fringe in Sketch: ANIMAL FARM TO TABLESketches of Ives: IRC’s ALL IN THE TIMING
Here’s what Chuck Schultz saw at the Idiopathic Ridiculopathy Consortium’s production of ALL IN THE TIMING by David Ives.
View More Sketches of Ives: IRC’s ALL IN THE TIMINGFringe in Sketch 4: SLAUGHTER/ETTE (Butter & Serve)
As part of Phindie’s coverage of the 2015 Fringe Festival, we are having artists sketch what they see at select Fringe shows. Here’s what Chuck Schultz saw…
View More Fringe in Sketch 4: SLAUGHTER/ETTE (Butter & Serve)