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Hip-hop in Dance and Photography: Raphael Xavier exhibits visual art at Dupree Gallery

Out of Time will showcase Xavier’s photography and paintings from the last 20 years. T

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Does It All Add Up? Trey Lyford takes account of his upcoming Fringe show

The Accountant fuses physical theater, humor, and illusion to create a “dreamscape of memory and loss.”

Rehearsals for Le Grand Continental Ansan, South Korea, 2015, © Ansan Street Arts Festival.

You can be Le Super Grand

Anyone can be a part of the 2018 Fringe Festival’s largest show

The members of Orbiter 3: Emily Acker, L M Feldman, Sam Henderson, James Ijames, and Mary Tuomanen

All Things Must Pass: Orbiter 3 members consider their finale

In the end, the plays you produce are greater than the plays you don’t

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Poetry and Film: Alexandra Naughton combines literary and cinematic talents at a film premier

Author and actor Alexandra Naughton combines her two loves April 29 with a party for the premier of a new movie, CTRL ALT DEL.

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GRACE & GRANDEUR (Pennsylvania Ballet): Ballet, in different eras

Pennsylvania Ballet’s fifth program of the current season is a historically intriguing.

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HUMAN RITES (InterAct): I say tomato, you say genital mutilation

HUMAN RITES succeeds as a vehicle to tackle such hot-topic themes as appropriation and intersectionality.

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Back to Prison: Playwright Kash Goins on his reprised play V to X at Arden Theatre

Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.

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Oscar-Winning Movies Don’t Come From Plays Anymore

No published or produced play has been the source for a Best Adapted Screenplay award since 1989.

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LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with love

Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.

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MR BURNS (Villanova): The future in three acts

What would 21st-century American culture look like if all we knew about it was told generations after an apocalypse

Frank X and Johnnie Hobbs, Jr., in WAITING FOR GODOT from Quintessence. Photo by Shawn May.

WAITING FOR GODOT (Quintessence): Really absurd

Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.

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A DOLL’S HOUSE (Arden): Ibsen for our times

A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.

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Frankenstein’s Author: Jennifer Summerfield on her new show MARY SHELLEY

This month, actor Summerfield showcases another side of her talents with MARY SHELLEY, a solo performance she created for rare book museum the Rosenbach.

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2018 Theater Preview: Curio Theatre Company

The gem of West Philadelphia, Curio Theatre Company continues to impress with its literary adaptations and productions of classic and contemporary theater.

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2018 Theater Preview: FringeArts

The company that brings us the Philadelphia Fringe Festival keeps the Fringe coming all year long with presentations by inventive local and visiting artists.

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2018 Theater Preview: InterAct Theatre Company

Interact Theatre Company continues to produce provocative contemporary plays exploring relevant political issues.

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Best of 2017: Phindie articles you loved in the last year

The most-read Phindie articles of 2017

David Ingram, James Ijames, and Charlotte Northeast in THE BROWNINGS, November 2017. Photo by Plate 3 Photography.

THE BROWNINGS (Orbiter 3): Let me count the f%&*ing ways

In a heartfelt moment, Elizabeth Barrett Browning tells her poet-husband, “I’m going to dip your cock in laudanum and fuck you til i’m high”